There are uncountable number of commercial programs for sequencing and modulating sounds, but I think that the more interesting and unique are the home-made and self designed digital tools. Here we'd like to share an example of our way in the band to sequence music on stage or in studio.
Triangles is an excerpt from 'No Less than the Trees and the Stars' the culmination of an intensive three week research period which took place in Fumbally Court Studio and DanceHouse Ireland.
VOCALOOP is a loop sequencer gadget focused on timbre and voice of the Japanese.
This Max patch helps the Bass Station II user get an overview of their patch.
Description The centerpiece of the newly reopened Mendelssohn Museum is the interactive media installation "Effektorium".
Description The Max for Live plugin FIRE SCENE AT SET TIME is a simple timer plugin.
Technology and people are ready for a great leap in the music industry to refuse from hard work producing and performing electronic dance music.
In a world of "big-data," our community is often faced with having to create custom programs to handle an unpredictable number of controller data, processing, and routing to musical parameters.
The Dark Synth is an additive synthesizer with some unique characteristics. You can define a waveform of up to 2048 partials (sine waves) for its main oscillator, the ADDITIVE oscillator, using presets waveforms, spectral processing algorithms and freehand drawing. Moreover you can add up to 128 copies of the Additive oscillator, and each copy (generator) can be detuned and phase-shifted with respect to the others.
Electric-Guitarists on stage, typically use very strong gestures and expressions, "heavy" sounds, and an ability to hold a long last solo.
AnoTag is a VJ application for Mac.
This is a Bassnectar remix where I used a few of my favorite songs.
"1983" is a new media installation about the impact of implicit memory on the way we react to various stimuli inside a territory.
This is one of my last audio tools I`ve designed for games and films studio work.
My most recent composition, written for Max/MSP and Ableton Live. The audio samples I utilized were actually the individual tracks from a previous composition of mine, called Crayonada (hence the title).
The interactive and audiovisual installation av@ar puts the relationship between people and their medial reflection in the center of the experience.
Electronic Music and Sound Design Theory and Practice with Max and MSP - Volume 2 by Alessandro Cipriani and Maurizio Giri (ENGLISH Version). Publisher: ConTemponet This is the second in a series of three volumes dedicated to digital synthesis and sound design.
Inspired by the possibilities of new technologies , audioartist Andrew Svibovich and writer Nikita Begoon created magical performance combined on genres such as: audio, video and prose. attractor_etc speaks to the viewer on language of new media. Text several times translated from one language to another using a simple electronic translator acquires new meanings and forms , and at the same time becomes illogical to some extent , making a deliberate error in the digital artifact.
"CODA - Bachs Cello Suite in c-moll" interprets in two parts with music, dance, light and interactive video the conversion possibilities of the baroque Bach’s suite in a contemporary interpretation. In the first part the cello suite is interpreted in C minor by Johann Sebastian Bach live by the cellist Beate Wolff.
Long Way Home is a kinetic narration and spatial experience, in which a kite moving along in a circular path is used in a projected environment.
Hi everyone, I'm working on templates to control Reason 5 with MIRA for iPad.