The TSAM is tool for the analysis, modeling, and mapping of the timbre of sound synthesizers. Synthesis algorithms often have a large number of adjustable parameters that determine the generated sound and its psychoacoustic features.
Circularium is the last work by Derrick Giscloux produced by Creative Art Company, Lyon (FR) Sound composition, sound spatialization, light control, interactivity made with Max 7 Circularium is a kinetic and interactive work of 4 meters high whose architecture is based on the circle and the concept of circular light.
The Shreditor is a software editor for the Shruthi-1 DIY hardware synthesizer. An awesome little hybrid mono synth developed by Mutable Instruments, which combines 8-bit oscillators with various analog filter boards.
117934~ is an experiment to extract new sounds from a classical upright piano via sound manipulation.
Instruments from the Augmented Gamelan ensemble presented as an interactive installation, using rule-based part generation, synthesis, and light control in Max.
Δ∞ [Infinite Delta] is an interactive kinetic installation/performance.
Film has became a common art form, and watching movies is already a kind of recreational activity what is very familiar to people.
This piece, a collaboration between Dr. Liza Seigido & Dr. Lawrence Moore, is built on the Moog Werkstat and a simple interactive video overlay constructed in Max!
DP.HouseHat is a versatile, dynamic and easy-to-use hi-hat synth, fully developed with Max for Live.
Sound Cage is a mechatronic percussion instrument.
RIB CAGE is an electro-acoustic instrument that incorporates elements of robotics.
3D liquid approximation with generative spectral audio made in Max 7
The Melotronica is a modified melodica with sensors mounted on and inside the body of the instrument.
Moebius Lab is a multimorphic sound processor for iPad which contains a synth, a varispeed stereo sample player, 9 time domain effects, 6 spectral effects, 7 slots for external audio application, and nearly 200 LFOs that can modulate each parameter. You can move the effects along two chains, and get endless combinations of sounds.
Bringing backing tracking into the 21st century
A two-dimensional model of moshers, similar to a disordered gas. Based on research by Jesse Silverberg and Matthew Bierbaum.
"Agnus Dei" is a movement from Missa della Grande Transizione--a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and video overlay.
V4W.ENKO - CREATING sound and visual compositions in real-time with max/msp/jitter
This is a project I worked on with one of my faculty using netted structures and slow, subtle light shifts informed by weather data from the openweathermap.org/api and DMX control using VST and a DMXIS controller.
"Credo" is a movement from Missa della Grande Transizione--a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and video overlay.
The project was to produce a promotional music video that blended a variety of different arts disciplines to create an interesting and visually stimulating piece with elements of dance, videography, custom effects coding and traditional paintings to accompany the music.