This is a patch I created to deal with a survey we did at our company.
I developed this project together with Swedish-Canadian choreographer Mireille Leblanc as our latest production under the name The 7th Sense.
ICARE IN SITU is an adaptation of the myth of Icarus from Ovid's Metamorphoses. It's a multimedia sculptural transcription of this myth, by Thomas Sillard. The Icarus story as an allegory of the various struggles that we must take to survive.
This free/pay-what-you-want device is an extension of the LFO device that comes with Live.
Dehumaniser is a prototype application that transforms voice into monster sounds in real time.
The Harmonic Runner is a Max for Live spectral device.
rock*picSynth is a Max for Live device that lets you build synths out of images.
"The model kit" is an interactive spatial audio performance. The performers with musical instruments are placed in different places of the big space.
Reflection is a performance-installation hybrid work, created entirely with Max. Audience members enter a room, sit, stare, converse, sleep, stretch, laugh, fart, whatever they feel, in the presence of a digital puppet.
A rework of a Max for Live TB303 with added phasor and an extra waveform.
Super6 is a detune plugin based on a reverse-engineering of the Roland JP-8000 SuperSaw oscillator.
A realtime sculpture in spatial light and sound. Integration.04 is a live performance by Dieter Vandoren.
The 77_GS started as a pet project, turned into a solution to a particular task, and then became a performance instrument. The instrument is based on granular synthesis, which is a technique that can be explored and utilized in many different ways, yielding a great many different results.
My personal additive synth totally built using max.
Saxelectro Project Live MOVING HEADS Andreas Mourtzoukos (saxelectro) L.P.M.
Streakline #1 is the second part of Tryptic, a set of three Audio Visual live projects by Franz Rosati started in 2011 with Pathline #1.
The Rad Envelope Follower REF is a Max For Live envelope follower with advanced features.
Bow_o_Rama born from the desire to create a simple application of intuitive music, a small sound object that can stimulate the desire of the listener to discover acoustic particles; the audience is not a mere spectator, but an active part of the creative process. The choice of my instrument, the viola da gamba, an emblem of the Baroque period and the instrument on which I decided to start a journey in searching new sounds and languages, is also related to the specific desire to give an acoustic sound texture to the audio. Each sample presented in Bow_o_Rama is uncompressed, aiff to 44.100/24 bit, in order to ensure to the listener an audio CD quality, in contrast to the compression of common downloadable digital formats. The application certainly is not perfect, I’m not a programmer but a musician, it's the first app that I did using MAX 6 and is a first step towards the desire to offer a new way to enjoy music and contemporary art.
My personal emulation of the famous Roland tb 303 totally built using MAX. I added some simple effects like reverb (using the tool nw.gverb~), tape delay and a bit crusher for a chance to work more on the waveforms and to make the best performance.