or: love is not a photograph / or: take me like a photograph is a collaborative project which was realised in three installments over the course of three months in 2011 in London.
This is an ongoing project in exploring possibilities in using the magic trackpad in live performance environments. The trackpad is a wondrous device, which can simultaneously track up to 11 (!) fingers and gives detailed data for each one, such as position, velocity, finger elliptoid axes, angle etc.
WHITEBOX Pixiphone, an ambient instrument that models a child's toy then enlarges it with spectral delay, reverb, brightness, hit strength, attack and decay.
THE SMART AUDIO DESTROYER Shaper is a Max For Live audio effect for audio destruction. Using on first two different algorithms for wave-shaping, audio signals can then be processed with a really intuitive glitch-gate.
Recently I've recorded a dirty sampleset driving through my Sherman Filterbank, some M4L devices and more effects and thought to feed my noiseFlow based particle system in Max/MSP with them...
iminlovewithanothergirl explores the use of a condenser microphone as percussive beater, friction actuator, feedback tuner, as well as a dynamically moveable microphone.
VIDEO-BASED NOTES GENERATOR moovmi is a free Max For Live MIDI effect that produces midinote sequences from video data analysis.
KontrolKontroller is a Max patch that gives the ability to use a Korg NanoKontrol version_1 quickly inside Max.
sjseq creates algorithmic variations on basic drum patterns.
Spiralab draws real-time sound in 3D, for which it contains its own custom sound generators.
PROJECT 1111 is both an audio/visual piece and a live performance containing 4 sub-pieces (0001, 0010, 0100 and 1000) Project 1111 is an exploration of randomness through sounds & visuals. Each source of sounds and visuals generated is based on chance.
hey all, I made a couple of standalone apps utilizing jit.gl.syphonclient and jit.gl.syphonserver used in conjunction with jit.net.send and jit.net.recv.
I developed very innovative sound tool named “Graph Arpeggiator 3”. It is an unprecedented tool.
The Problem: Creating interesting audible "movement" for motion graphics video presentations.
New Delhi Audiograph An interactive, audiovisual installation by Paweł Janicki, the work treats some elements of the Hindi language as a structural foundation of a musical composition.