This is a real-time sequencer machine for Ableton Live / Max for Live. IT is really dedicated to the design of unique sequences for idm, braindance music & polyrhythmic.
ErR is a software sampling drum machine with a few twists.
The AudioCubes are smart light emitting blocks that are able to detect each other's position, location, and distance.
The next iteration of MIDI Merlin, version 2.0, is currently in beta testing phase.
Still Life is the debut album by intermedia artist Tohm Judson. In this album, I wanted to explore the subtlety of small changes, simple gestures, and still motion.
This public art installation transforms the parking garage of the new Kauffman Center for the Performing Arts (Kansas City, MO) into an instrument of light and sound, a complementary venue to the performances at the Center.
Techniques used in Max/MSP in Creating: Beep Bleep ZOMG! When I decided to use Max/MSP to compose my piece: Into the Metaverse on some cosmological Bubble, I was very daunted at what I should do.
(English translation coming soon...) Es ist ein mecha-tronisches Instrument, Sound Prozessor, Effektgerät, Werkzeug, Skulptur und Organismus. Drøn macht aus Dingen ein Musikinstrument, die vorher keines waren. Der Gegenstand wird an einen Kontaktlautsprecher und ein Kontaktmikrofon angeschlossen.
Scratchy is a standalone instrument for Mac and PC that produces noise.
SmileForLive is a small device that makes tonal glitchy music out of know parameters.
An experiment using Rutt-Etra scan in Jitter on a liquid synth patch.
read16bitmap12x24.bmp is a patcher that encodes a given image-file into a midi song.
Trombinotron is an interactive installation made by Nicolas Roos and Guillaume Evrard.
This generative EP plays continuous music that drifts within a mood without repetition, making it an ideal companion for reading, work, relaxation, and those times when you want to listen to something that dissolves into the environment and yet is always there.
Architecture Is Frozen Music The aim of the project was to turn the structures into music: shape, form, internal tensions and so on. I extracted relations between the architectural shape and its structural support.