A Max/MSP abstraction for live and interactive spectral music programming and performance.
metamorphosis is a granular looper.
In this Selfie Sunday we learn how to build a patch that turns webcam input into an ASCII display.
marimba sidetracks for marimba and computer is the first piece of a series called sidetracks.
Contemporary Music, Hörspiel
Yohkoh means ray of sunshine in Japanese.
Max was used for live electronic and realtime spatialisation.
Thierry Fournier Sous-ensemble installation (2015) Lille Renaissance festival, September 26, 2015 to January 17, 2016 In a space similar as a recording studio, the presence of the visitors makes appear, one by one, the sounds of the instruments of a symphony orchestra during its tuning – until a complete reconstitution when a group is present.
installation for piano parts and LEDs
Anticipating John Cage’s more famous “silent” piece 4’33’’ by thirty years, Erwin Schulhoff’s (1894-1942) In Futurum for solo piano (1919) is nothing but rests in both hands, supplemented by question mark articulations, cryptic smiles made of slurs, and cheeky directions (“play the whole piece with expression and feeling freely, always, to the very end!“).
Video is from a performance by Rodrigo Constanzo using snare/percussion/objects, The Party Van, and DMX lights filmed by Angela Guyton at Bacon Jam Collective on 9 December 2015.In the performance The Party Van and the DMX lights are being controlled by a Max patch which moves through different interaction/behavior types (ranging from one-to-one onset=color mapping, to more complex interactions based on automatic recording/playback). In addition to the defined interaction/behavior types there is a body of prerecorded light patterns (flashes, blips, and heart rate throbs) that were recorded by Angela using a separate Max patch which selects a grid of pixels from a larger image and uses that as the pool of available colors in a kind of color granular synth.
It uses mostly random generators.
A permanent exhibition at Zaans museum.
inspired by Robert Henke's "Fragile Territory", I use max/msp to generate/mix audio waves for controlling the galvanometers inside the laser projectors and to generate the graphic by jitter and some simple kaleido and fractal effects. Inspired by the oldest photographic printing process "cyanotype", laser dye is an optical dyeing method that makes digital fabric printing process possible at home, by hacking the conventional laser projector (with galvanometers), it is turned into an optical fabric printer, hence the users are able to laser print single color graphic on fabric or 3d objects in massive sizes (150*150cm at this moment).
Overwhelmed by pain, shock, or grief, these three actions demonstrate how we may lose control of our physical bodies, revealing just how fragile we are. Video documents performance at the International Computer Music Conference (ICMC) in Denton, TX on Sept.