Koka's MacBook Bow is an optical sensor, which extends a laptop into a bowed musical instrument.
„Die Hamletmaschine“ is a performance for voice and live-electronics.
This algorithm focuses on when to generate notes, based on analyses of syncopation and repetition within Live MIDI clips.
M4L GRANULAR is a better and more simple polyphonic granular synthesiser for Ableton Live.
The Practice Room uses Max to facilitate rehearsing or performing electroacoustic music for instrument & tape.
Inspired by the Granular Synthesis work Modell 5, In Triplicate is a performance exploration utilizing audio-visual sampling.
just a tiny, fun (+ annoying) illustration of an idea i recently had, realised in max.
The whole program is written as a maxpatch, using all the stuff that people can get with the Max runtime.
Italian Renaissance paintings are intervened in real-time by algorithms that simulate video compression artifacts.
A Max/MSP abstraction for live and interactive spectral music programming and performance.
metamorphosis is a granular looper.
In this Selfie Sunday we learn how to build a patch that turns webcam input into an ASCII display.
marimba sidetracks for marimba and computer is the first piece of a series called sidetracks.
Contemporary Music, Hörspiel
Yohkoh means ray of sunshine in Japanese.
Max was used for live electronic and realtime spatialisation.
Thierry Fournier Sous-ensemble installation (2015) Lille Renaissance festival, September 26, 2015 to January 17, 2016 In a space similar as a recording studio, the presence of the visitors makes appear, one by one, the sounds of the instruments of a symphony orchestra during its tuning – until a complete reconstitution when a group is present.