This Max for Live pack features a custom made amplitude-threshold driven sampler and an expansion of the Max4Live legacy step sequencer.
Pixel Bleed is an exploration of decay and repetition all done live via Max/Msp with absolutely no overdubs nor sequencers.
This max/jitter/java work is a virtual version of the live performance with a real fish as a dj The fish was blended first to 3D..then using cycle~ it could move its fins and with jitter/max it moves all around with drunk functions.
The piece "Essay" is a first attempt at using the piano with live electronics.
My program, named Rosenberg, automates a composition method I’ve developed, creating a unique piece every time it’s set in motion.
Source is a random voltage/API control source for the M4L platform. There are three sample and hold “circuits” with external or internal modulation possibilities. There are two versions, a CV version and a MIDI version. The output could be mapped to any parameter in Live. Almost every knob/button/selector could be automated from Live. SOURCE A The main trigger triggers all of the 3 sources.
Probability objects set sequencer outputs.
Does the user control the system or does the system control the user? As the user of any technology we believe that we are in control and our actions depict and manipulate the machine to how we want it to perform.
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
Zeitmaschine is an interactive video installation that projects the uncertainty of the future onto the past.
Yakuza is a 16 step sequential voltage/message source for the M4L platform.
Music video for A Mural is Worth a Thousand Words by Heads., a noise-rock trio hailing from Australia and Germany, currently based in Berlin. A glitched-out expression of the song's aggression, the video is essentially a portrait which takes Heads.' lead vocalist Ed Fraser through a series of distorted transformations in an attempt to channel the music through the singer's on-screen image.
Entropia is an audiovisual performance, involving a spherical led filled structure, generative visuels, and for the sound part, a multi channel live act (ambisonics order 4) in which the composer uses spatialization, movement and real time effects applied throughout the entire sound field.