Ruslan

Whole artificial intelligence software created using GenExpr language in Gen~ codebox then exported to Max for Live device.

compositor-software-ai-rt1024-max-live

that looks really like scam : / or this is just me?

that looks really like  scam : / or this is just me?


Sorry, I just don't get it. Too much bloviated text.

If I will ever encounter accusation in 'scam' without proper knowledge of the project development curve or at least some of you will not get acquainted with my earlier projects I will stop sharing in the MaxMSP community and Max for Live communities altogether. This is just a ridiculous blames for the person with my level of knowledge in the field and expertise in both communications and music industries.

Ruslan, I think the first reply was meant in jest. No offense, but your writing comes across as a bit overly wrought and unnatural. Which is typical of "scam" adds. Hope you keep sharing with the rest of the world!

Agree with Anthony. I got really curious about the project when I read the headline, but digging into the description on your website I got lost in a jungle of words and strange grammar. I, for one, would be super interested in learning more about what you have developed, but I don't have time to decrypt texts at the moment. You might want to consult with a language geek to help you communicate the project. Keep up the good work, though!!!

i, for one, will always welcome your shared projects, because they seem to be interesting and highly technical. However, with all due respect i would like to point out the "seem" : they seem also not intended towards the max community (specially RTC4K which was for pilots of submarine ? iirc) and, indeed, it's possible that a few more efforts towards clarification of what they actually *do* ; like a first line beeing very clear about the aims of your tool and who it is aimed to/in which context it should be used.

Like here : what is a "quantum interpolator" ? How does that relate to "neural network" ? How does that relate to music making (since it's in Max for Live it should be related to that ?) ? How does that relate to the sounds we hear in the video ? What justifies the pricing tag ?

But whatever keep sharing ! It will always at least be a window opened to another world so close yet so far which may trigger imagination

i, for one, will always welcome your shared projects, because they seem to be interesting and highly technical. However, with all due respect i would like to point out the "seem" : they seem also not intended towards the max community (specially RTC4K which was for pilots of submarine ? iirc) and, indeed, it's possible that a few more efforts towards clarification of what they actually *do* ; like a first line beeing very clear about the aims of your tool and who it is aimed to/in which context it should be used.
Like here : what is a "quantum interpolator" ? How does that relate to "neural network" ? How does that relate to music making (since it's in Max for Live it should be related to that ?) ? How does that relate to the sounds we hear in the video ? What justifies the pricing tag ?

But whatever keep sharing ! It will always at least be a window opened to another world so close yet so far which may trigger imagination


"The primary use of Compositor Software AI-RT1024 is a solution for Shuttle 2.0 system. The relativistic time can collapse the work of quantum computer while AI-RT1024 ensures the quantum field operation in classical mechanic terms. Together with other Compositor Software modules, it permits the operation in relative time scales, while keeping the timing as close to the quantized function as possible."

FWIW all I could intuit from your website is that maybe you have access to a quantum computer (I thought they were still at the 2x3=6 stage?) and the only reason I even entertain this idea is because its the max forums.

Do you have access to a quantum computer? because

"The primary use of Compositor Software AI-RT1024 is a solution for Shuttle 2.0 system. The relativistic time can collapse the work of quantum computer while AI-RT1024 ensures the quantum field operation in classical mechanic terms. Together with other Compositor Software modules, it permits the operation in relative time scales, while keeping the timing as close to the quantized function as possible." 

  FWIW all I could intuit from your website is that maybe you have access to a quantum computer (I thought they were still at the 2x3=6 stage?)  and the only reason I even entertain this idea is because its the max forums.  

Do you have access to a quantum computer?  because

MONETUS, AI-RT1024 permits running Qunatum real-time operation system on a regular PC or Mac. The device properly classified is Quantum Interpolator and I hope we will submit it as a Russian solution to quantum computing problem.

VICHUG, as I understand the problem the standard CPU outputs continuous sinusoidal cycle with busses being an additive divisors of the whole. My approach is different and it is the bottom-up model using frequency modulation as a law to spread different side-band harmonics to computation resources. Thus to act on a Qunatum computer my algorithm needs interpolation method named in 'Compositor - the bottom-up approach' paper.

Please, download the Max for Live demo file with 3 minutes operation time to run it on your system at 

 for a twit to spread the word about the project.

Btw, I saw claims that my product is poorly developed and needs beta testing. IT IS NOT TRUE! The product is finished and have been developed for three years, which is a product life cycle in communications and avionics industries for example.

Please, download the Max for Live demo file with 3 minutes operation time to run it on your system at Compositor Software for a twit to spread the word about the project.
Btw, I saw claims that my product is poorly developed and needs beta testing. IT IS NOT TRUE! The product is finished and have been developed for three years, which is a product life cycle in communications and avionics industries for example.


I still don't understand what this has to do with "Qunatum real-time operation". Are you saying you have in fact invented sound synthesis that is generating waveforms at the quantum level?

ANTHONY, the invention dates back to 2012 when all the formulas stated in the paper above was written. This is the final program implemented on a Gen~ level: the third generation of Compositor devices started from Compositor Pro v1, v2, which you can find in my projects here.

AI-RT1024 as the name sugests resynthesize FM wave in real-time (the speeds not higher than 5 omega). It also places harmonics on the quantized grid (this is in fact what I call Quantum computing) instead of just operating in additive grid with divisors as I said earlier. The classic dynamics used in automobile industry suggests the principle by which transmission operates on a signal rate. I invented the FF8 Max for Live device, which will be launched next and resynthesizes FM wave on a signal rate level (the heard audio frequencies) but unlike traditional granular synthesis this comes the solution to time folding, which I successfully implemented for this device and which properly virtualizes fractal field (to capital F in a title) by this I invented a new fractal antenna for NGN (Next Generation Networks) transmission. All is suggested to work as a Max for Live devices inside Ableton Live 9.

we already learned that when discussing his development two years back:

this project is all about displaying deterministic fractal harmonics in the automobile industry for stochastic submarines for the next generation of atifical rocket sciene with virtual ananlog antennas. you can transmit FM synthesis via psychoacoustic hybrid impression for the desctruction of human modeling – and that at a speed of no less than 5 omega.

(except during the second half of 2014, where it changed its history and purpose for about 3-4 youtube videos: "Compositor is an algorithmic generative synthesizer for all styles of electronic music. It uses an idea of cosmology applied to physical modeling of sound synthesis. You can think of it in terms of space-time manipulation and it is interstellar." - 1H9FMm0pLkk)

and if you dont understand this, you are an offender!

well so to sum it up: while compositor has a name like a video editing program, it seems to be some kind of FM synth who thinks it is a sequencer. anyone who has 4000 USD to spare should get a copy before they´re outsold.

You're the Headmaster of sponges and basins

"You're the Great Wash-Basin,
You're the Famous Moydodyr,
You're the Headmaster of sponges and basins
And the Commander of all sinks!"

Bon, I tried out the software. Let me try to do a short review

1) Authorization: I do not really like that you can place tweets on my profile but if that is the price I will accept it.

2) Download is fast and seamless. You open the software simply by dropping the amid file on Live's window

3) The sound starts immediately: no setup required at all.

4) Where are the editing or control possibilities: it basically sounds as a repeated loop. When I close Live, it sometimes changes but the basic sound is always the same. So I suppose you can consider Compositor to be an effect instrument. If we can change the loop and have controls that would enhance the potential of the software.

5) The demo does not offer much to hear or try out. It is basically the same sound as in the youtube video. Could we see more of manipulating with the software?

6) After trying out the software, I had a look at the license agreement, which is amazingly restrictive. I would be put off to use Compositor if I am not allowed to open the M4L edit window. I find that weird in a software environment like MaxMSP/Live where editing is a natural thing to do.

7) The language used in the manual and on the website are obscure: what does Compositor do on a musical (sonic) level. We cannot know as it is obscured by language. This has nothing to do with the public not understanding what Compositor is, it is the problem with what the author writes.

8) I had a look at the previous versions of Compositor and watched the video. I find it weird that in version 1 and 2 both videos have exactly the same sound. For a system that is controlled by random elements, that is close to impossible. What happened there?

9) I want to end with a positive note: Although Compositor does not convince me at the moment, Yusipov's album on bandcamp 

 is worth a listen if you like minimal slow-motion techno. Overall, I would like that Ruslan explains in a more accessible language what Compositor does and can show us how it works. To Ruslan: nobody here will steal your work, all of us are here to learn more about Max and music in general.

Bon, I tried out the software. Let me try to do a short review
1) Authorization: I do not really like that you can place tweets on my profile but if that is the price I will accept it.
2) Download is fast and seamless. You open the software simply by dropping the amid file on Live's window
3) The sound starts immediately: no setup required at all.
4) Where are the editing or control possibilities: it basically sounds as a repeated loop. When I close Live, it sometimes changes but the basic sound is always the same. So I suppose you can consider Compositor to be an effect instrument. If we can change the loop and have controls that would enhance the potential of the software.
5) The demo does not offer much to hear or try out. It is basically the same sound as in the youtube video. Could we see more of manipulating with the software?
6) After trying out the software, I had a look at the license agreement, which is amazingly restrictive. I would be put off to use Compositor if I am not allowed to open the M4L edit window. I find that weird in a software environment like MaxMSP/Live where  editing is a natural thing to do.
7) The language used in the manual and on the website are obscure: what does Compositor do on a musical (sonic) level. We cannot know as it is obscured by language. This has nothing to do with the public not understanding what Compositor is, it is the problem with what the author writes.
8) I had a look at the previous versions of Compositor and watched the video. I find it weird that in version 1 and 2 both videos have exactly the same sound. For a system that is controlled by random elements, that is close to impossible. What happened there?
9) I want to end with a positive note: Although Compositor does not convince me at the moment, Yusipov's album on bandcamp http://ruslanyusipov.bandcamp.com is worth a listen if you like minimal slow-motion techno. Overall, I would like that Ruslan explains in a more accessible language what Compositor does and can show us how it works. To Ruslan: nobody here will steal your work, all of us are here to learn more about Max and music in general.


The first Compositor was written entirely on MaxMSP, when Gen~ appeared in 6.1 I started to rewrite the software on GenExpr in codebox to make exportcode, to produce the hardware synthesizer with artificial intelligence to control the parameters, and internal sequencing.

That is already a bit clear. While conceptual language is interesting on the meta-level of composing music, we need clear technical language when learning a new tool. I suppose that hardware synthesizer means virtual hardware. What does the artificial intelligence do: what parameters are controlled by AI?

You can view my STC2k project on Cycling '74 for a complete set of parameters on the project page. The AI-RT1024 is version 3.3.4 with quantization of that project. STC2k is version 4.5.2. The frequency of operation of AI-RT1024 was raised to ultrasonic (STC2k) and radio (RTC4k) frequencies.

This is all I currently can share with you and it all happens behind the 'no-control' ui you can see in Max for Live device.

Holographics engine virtualization (for future Max for Live revisions)

Main rhythm and tonal structures parameter selection

Schroeder reverberator parameters selection

This is all I currently can share with you and it all happens behind the 'no-control' ui you can see in Max for Live device.


Soooo.... AI-RT1024 is an aritficial intelligence program designed to control the parameters of a STC2k synthesizer ???

Yes, you are precisely right! While STC2k has three levels of operation, AI-RT1024 has only one and acts in real-time.

Could you show us a flowchart of the operations happening? Maybe that way we can understand what you want to say (an image says more than a 1000 words).

It is almost in chronological order from bottom to top and doesn't include compiled STC2k and RTC4k libraries, which operate in ultrasonic and radio frequencies instead of sample rate.

Thank you but I meant of the operations in AI-RT1024: what is happening inside? For example:

audio input --> Schroeder reverberation through AI --> automatic bandpass filtering --> audio output

And explain what the AI does: how does it influence the audio outcome, does it learn from previous experiences et cetera? Automatic bandpass filtering: based on which conditions: you can only automate something if you set conditions. What are those conditions and how do they influence the audio outcome?

Also: what controls does a user have over the audio? Or do we just load the instrument and have no control at all?

Thank you but I meant of the operations in AI-RT1024: what is happening inside? For example:
audio input --> Schroeder reverberation through AI --> automatic bandpass filtering --> audio output

And explain what the AI does: how does it influence the audio outcome, does it learn from previous experiences et cetera? Automatic bandpass filtering: based on which conditions: you can only automate something if you set conditions. What are those conditions and how do they influence the audio outcome?
Also: what controls does a user have over the audio? Or do we just load the instrument and have no control at all?


You can view Compositor Pro v2 flow chart, which you can find in the 

 . The AI-RT1024 is exactly the same but also with LFO modulation applied to Multiplier, which defines the function. The AI-RT1024 doesn't offer parameter control at all: it is an automated service for virtual machines orchestra.

The orchestra combined with Max for Live devices on the scheme above. It is tested in Ableton Live 9 and can work for at least three days or longer without interruption, which makes it of server class equipment.

Most of the parameters covered in the manual above are automated by a means of AI v3.

You can view Compositor Pro v2 flow chart, which you can find in the manual . The AI-RT1024 is exactly the same but also with LFO modulation applied to Multiplier, which defines the function. The AI-RT1024 doesn't offer parameter control at all: it is an automated service for virtual machines orchestra.
The orchestra combined with Max for Live devices on the scheme above. It is tested in Ableton Live 9 and can work for at least three days or longer without interruption, which makes it of server class equipment.
Most of the parameters covered in the manual above are automated by a means of AI v3.


i can't find the m4l demo file . can you help me ?

this cant be real, this must either be kristian vester or netochka.

Compositor Software AI-RT1024 Max for Live

May 2015

Moscow, Russia