In this presentation, I spoke directly to people that were already familiar with Max, explained some of the details of working within the Live environment, and provided some tips about how to design an effective Live device. Hopefully this will whet your appetite for working with the Max/Live combo!
Effective immediately, Cycling ’74 will discontinue sales of prebuilt Max-based audio plug-in packages. This includes Pluggo, Mode, Hipno, and UpMix. We will still continue to support current users as best we can, but there will be no further development on either the plug-in packages or their supporting technology.
I recently attended Winter NAMM 2009 in Anaheim,CA, where Cycling '74 was sharing booth space with our friends at Ableton. I arrived on Friday afternoon, well after we had released our product announcement for Max for Live, and was impressed by the volume of booth traffic we were getting. Ableton had, of course, also announced their new Akai controller and Live 8 in addition to Max for Live, so there was a great deal of buzz surrounding our area of the show...
Cycling '74 and Ableton today announced Max for Live, the integration of Cycling '74's Max/MSP environment into Ableton Live. Available as an add-on product to Ableton's newly announced Live 8, Max for Live permits users to create devices that extend and customize Live by creating instruments, controllers, audio effects, and MIDI processors.
Cycling '74 began developing and selling software officially in late 1997, and it was in 1998 that the company incorporated and hired its first few employees. To celebrate ten years of our continued existence, we decided to have an anniversary party. Here's how it went...
We rolled out of bed and into our suits this weekend to attend the annual Audio Engineering Society (AES) conference at the Moscone Center in San Francisco, a mere 5 blocks from our SOMA office. We occupied a small piece of real estate in the shadow of the big Mackie booth, and directly across from a booth featuring big reels of magnetic tape.
Cycling '74 today announced that its first user conference, Expo '74, will be held in San Francisco next April. The conference will include presentations, installations, workshops, and collaborative events covering the company's Max/MSP/Jitter software. Details will be outlined on the conference web site (expo74.net) in the coming months.
I'm pleased to announce that Cycling '74 will be hosting its first user conference next year, Expo '74. The conference will run three days from April 22-24, 2009 and will be held at the new (and intensely colored) Mission Bay Conference Center in San Francisco. I'd like to tell you why we decided to put on this event and what you can expect to happen if you attend...
Hello from Cycling '74 headquarters. We have some big news. Max 5 is now available for download. We're very excited about this major upgrade and we hope you will be too. This upgrade represents a new era of Max programming, with a completely redesigned multi-processing kernel and a streamlined development environment built on a platform-independent foundation. Finally, we are offering a new Max/MSP/Jitter Workshop for Beginners in London. For complete details, please visit our Workshop page...
Cycling ’74 today released Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programming, with a completely redesigned multi-processing kernel and a streamlined development environment built on a platform-independent foundation. With a new patcher interface, searchable database of objects and examples, integrated documentation and new tutorials, the new Max user will find a smoother learning curve while experienced users will see improved productivity.
Cycling '74 today announced Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programming, with a completely redesigned multi-processing kernel and a streamlined development environment built on a platform-independent foundation. With a new patcher interface, searchable database of objects and examples, integrated documentation and new tutorials, the new Max user will find a smoother learning curve while experienced users will see improved productivity.
Some of you may have heard that major changes are imminent in the Max world, and there is a lot of speculation about what those changes might be. On the eve of our first public exposition of the new version of Max at the AES convention in New York, I thought it would be appropriate to offer some details on the product.
For those of you who know San Francisco, there are two things you are well aware of. One, if you ask a pair of friends walking down the street where to get the best burrito, it could result in a fistfight. Two, it rarely gets hot here. Warm, yes. Hot, about 1 week each year. Monday, May 7th was hot and it was painting day.
At this year's Musikmesse, Ableton announced it has entered into a strategic partnership with Cycling '74 to develop new products. You can read Ableton's story about this partnership here.
I wanted to share my perspective on what this partnership will mean (as well as what it will not mean) for Cycling '74 users.
Cycling '74, a San Francisco-based music and video software company, today released Cyclops v. 1.3 which adds Universal Binary support for Intel-based Macs running OS 10.4 or later. Cyclops, developed by Eric Singer of Code Artistry LLC, is a Max/MSP object for video color, grayscale and motion detection. It is a perfect solution for artists and performers who want to add video control to their work without investing in expensive standalone hardware or software.
Cycling '74 has received its share of athletic sponsorship requests during its nine year history. Typically these have been bicycle tours or related events, and after careful consideration, we have rejected all of them. However, when I received an urgent call from the coach of my son Bruno's soccer team saying that they were flirting with disqualification for lack of a sponsor, our corporate policy of exhaustive review (involving multiple levels of committee meetings) was carelessly discarded in order to seize the opportunity to market advanced audio and video software products to sports-minded 11-year-old boys and what we hoped would be their easily influenced parents.