[Max] has been a gateway for me to other languages.
Lots of people use Soundflower for producing podcasts and doing various work where audio needs to get from one app to another.
This is a project to facilitate the syncronisation of a live drummer with samples and sequences, without using a click track but by using a tap tempo via a midi pedal.
RadioGamelan is the first in a series of pieces which seek to embellish the 1960’s notion of “action scores” (embodied in the music of Christian Wolff and John Cage, in pieces which specify the “how” of performance, rather than the “what”) with computer programs that enable specific types of performance.
Converts MIDI input note into 4-note chords to MIDI output in real-time.
I needed my own controller for Ableton Live. I built it in a diy mind and I'm using max for live as an interface between Ableton Live and the hardware.
Even before the Max for Live beta was opened up to the public, a community of testers was hard at work putting Max for Live through its paces.
Author: Komika Hackage
This pair of externals decodes timecoded vinyl and plays the decoded stream through a resample external back.
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for the opera Schick Machine.
So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live.
I spent 4 days in Pittsburgh in early June attending the 2009 NIME conference at Carnegie Mellon University.
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life.
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one-off show on the mainstage at Coachella that would feature live video processing, 2 DJs, a real Lighting Director, and glowing EL-wire wardrobe by Janet Cooke Hansen (www.enlighted.com, Daft Punk, etc.) for Maya and the dancers.
K-Bow Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, the K-Bow and StringPort, both of which include some very rich software applications written in MaxMSP.
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on performance support.
At this point, we have a pretty useful guitar processing "rack", but it could use a little spice.