Between the tutorials, Jitter Recipes, and all of the example content, there are many Jitter patches floating around that each do one thing pretty well, but very few of them give a sense of how to scale up into a more complex system.
In the last article, we added some basic tonal effects: distortion/overdrive and EQ/filtering.
These days it seems that everyone wants to be an artist so I found it refreshing to meet someone who see himself as an engineer that wanted to create tools for artists.
I'm always curious about how someone's physical relationship with a guitar goes from the usual strumming to what some people call "tabletop guitar" - it seems like everyone has a different story about that.
Game Controller A surprisingly expressive instrument The Guitar Zeros web site It's great to see the way that Max/MSP crosses musical genres and also allows people to repurpose available (and maybe not so available) technology.
Some of us listen to many different types of music and are open to experimentation but, correct me if I'm wrong, sometimes the music that comes out of academic circles can be cold and dry.
Hardware Controllers Adaptable, minimalist interfaces monome website Interview with Brian Crabtree and Kelli Cain from Monome By Marsha Vdovin Brian Crabtree (who performs under the name tehn) and his partner Kelli Cain are collectively known as monome.
by Chris Warren The concept is simple: replace a few of the keys on a USB keypad with heavy duty footswitches.
By Marsha Vdovin There's something about the kind of mind that looks for something beyond presets and conventional loops.
By Marsha Vdovin I spent hours and hours agonizing over an introduction to this interview.
My friend Mike Metlay recently asked me to perform with him on a live StillStream webcast scheduled for June 30, 2007.
Zuckung from Amoebazoid is the newest c74 music release. Your music sounds both intricate and spontaneous.
I first became aware of Luke DuBois when I heard his band’s CD Freight Elevator Quartet.
The Seoul International Computer Music Festival (SICMF) is a yearly event sponsored by the Korean Electro-Acoustic Music Society (KEAMS).
I've been asked to write a couple of articles that discuss how I learned radiaL, and how I approach using it in a live performance setting -- both as a soloist and in an ensemble setting.
This last week saw several Cycling '74 folks leaving behind their solitary monastic cells and journeying to the great city of N'awlins [New Orleans, to the rest of you] for the 2006 ICMC computer music conference and festival.