The second installment of Jitter Recipes is a collection of simple examples that began as weekly posts to the MaxMSP mailing list.
So, you've finished the tutorials, you understand the basics of digital audio, and you can imagine using a jitter matrix for something.
My colleagues Andrew and Meg and I headed over to the new Recombinant Media Labs facility last week for a fun-filled week of Max workshoppery. Of course, I was so busy pitching Max/MSP/Jitter patch projections around and ranting at the some 20-some brave souls gathered to attend that there aren't any pictures of me, and probably fewer or Andrew and Meg in action dispelling the phantoms of fear and doubt.
David Wessel is Professor of Music at the University of California, Berkeley where he directs the Center for New Music and Audio Technologies (CNMAT).
San Francisco resident Carl Stone has composed electro-acoustic and computer music exclusively since 1972.
With a set of experiences that includes playing with Tito Puente, touring with Peter Brook’s theatre ensemble in the ‘70s, and recently playing percussion with Rickie Lee Jones for the opening of the Experience Music Project in Seattle, it’s clear that Andrew Schloss has been all over the map for the past 30 years.
Bob Ostertag is a music school dropout who has since performed all over the world and has collaborated with the likes of John Zorn, Fred Frith, drag diva Justin Bond, and the Kronos Quartet.
Luke DuBois is a teacher at Columbia University in New York City, and a member of the famous Freight Elevator Quartet, whose "Fix It In Post" CD is making waves as the first release on the C74 record label.
In the last 20 years William Kleinsasser has received national and international recognition in competitions, conferences and festivals by pushing technology to its limits.