The Livid Code is designed to be useable out of the box without programming.
Thomas Resch will be leading one of nine community-driven workshops at Expo '74 in Brooklyn this October.
Converts MIDI input note into 4-note chords to MIDI output in real-time.
Elise Baldwin is an intermedia artist that works with music and projections.
Author: Livid Instruments
MIDI controllers supported with a variety of Max/MSP/Jitter patches for audio and video.
This project uses the Rewire and a series of pseudo-random midi triggers and locators.
The Software Klee Step Sequencer is a MIDI-enabled recreation of the electro-music.com hardware Klee step sequencer - developed with the input of the sequencer's creators! It reproduces almost all of the features of the hardware version, and adds many new features as well.
OMM is a robotic orchestra leaded by a human performer gestures.
Eowave has introduced another product in their line of sensor to MIDI interfaces called the Eobody2 HF, a wireless sensor to USB MIDI device.
So far we have talked about how Max for Live will allow you to create your own custom Max devices that run inside of Ableton Live.
I spent 4 days in Pittsburgh in early June attending the 2009 NIME conference at Carnegie Mellon University.
I recently wrote a couple of tutorials for the Cycling '74 website on a subject that's close to my heart - generating and organizing variety when working with Max (I'll bet that you just thought they were about making LFOs and working with the new Max 5 timing features, didn't you?).Download the patch used in this tutorial. Other LFO tutorials:
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one-off show on the mainstage at Coachella that would feature live video processing, 2 DJs, a real Lighting Director, and glowing EL-wire wardrobe by Janet Cooke Hansen (www.enlighted.com, Daft Punk, etc.) for Maya and the dancers.
K-Bow Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, the K-Bow and StringPort, both of which include some very rich software applications written in MaxMSP.
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on performance support.
At this point, we have a pretty useful guitar processing "rack", but it could use a little spice.
This article provides a brief tour of the features we've added to Max for creating Live devices.
Between the tutorials, Jitter Recipes, and all of the example content, there are many Jitter patches floating around that each do one thing pretty well, but very few of them give a sense of how to scale up into a more complex system.
This week the new Eowave OEM USB boards arrived at Cycling '74 HQ, and I was all too happy to give it a test drive.