Bruno Zamborlin developed a new product that will allow you to turn every day objects into musical instruments.
Does your doctor use Jitter? Whether it's doing visuals for Detroit musicians, audio-visual theater, or practicing medicine, James Ryan has found ways to expand his practice with Max.
Jeremy Bailey is a video and performance artist.
Our friend and co-worker, Rob Ramirez, shared some recent work with us and provided details on how he used Max.
Learn about the history of Lucid Possession and the technological solutions used in the show, and how the entire complex system works.
Max enables him to create new theatrical experiences.
Tarik Barri discusses his visual work with Monolake and more.
Next week, a special event will be happening in Brooklyn at Roulette.
Hear how Sue-C's unique performance approach comes together.
Mouse on Mars visualist and long-time Max user shares his story.
This weekend, I'm heading to Pittsburgh, PA to perform as part of the annual VIA Festival.
Loud Objects do live improvisational electronics, soldering complex noise circuits from scratch.
One of the things that first drew me to Max was its ability to connect such a wide variety of software and hardware in meaningful and flexible ways.
I've long been a fan of the German electronic group Mouse On Mars, but I've lost track of them the past few years.
At the 2011 Expo '74, some Max users exhibited their musical performance work.
The producer/engineer talks about Björk's "Biophilia" and how Max challenged his linear view of music.
An innovative young artist based in Holland.
I’m a sucker for well-trained musicians who push the boundaries creatively and aren’t afraid to experiment.
Composer Randall Packer collaborated with Opera Singer Charles Lane, Designer Greg Kuhn and Director Melissa Weaver to create a theater piece entitled A Season in Hell, premiering at the Zero1 Festival in San Jose on September 17-19, 2010.
A Season in Hell is a ground-breaking multimedia performance work that integrates a complex electronic musical score and vocal performance with multiple forms of digital media, video projection, surround-sound, objects, and storytelling to fuse live performance, installation, and sculpture into an otherworldly theatrical experience.
Kardionic is an interactive cinema piece that takes as it's subject the human heart in it's organic, energetic and spiritual dimensions.
The Karman Objects are a set intangible human-computer interfaces for musical interaction.
Performance group 31 DOWN is back with their signature sonic destruction.