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Espongina is a digital instrument made of water and two carved wooden bowls. Waterproof piezos pick up vibrations from movement and physical contact with the wood. These vibrations are processed and mapped through Max to different parameters that generate and shape sounds throughout the performance.
Esponginaby Merche Blasco, Artist and composer Photo by Marina Oriente
See how Max users connect technology & creativity.
This installation invites visitors to play music with their shadows. 47 light sensors are embedded in concrete tiles, and 6 Arduinos send sensor data via OSC to Max. Incoming light data generates a 12-channel soundtrack from pre-processed vocal samples. Max also adjusts sensors based on light values, loading different samples based on the sun's position, creating a soundscape that evolves over the course of a day.
Mesa Musical Shadowsby Daily tous les joursInteraction Design Studio
See how Max users connect technology & creativity.
The piece gives a history lesson of the United States through the rhetoric of its leaders. I used Max to generate the initial data for the work and to create a dynamic layout of the eyecharts. I ran statistics on the text directly as well as generated SVG files using the js object based on pre-visualizations of the work using the Jitter OpenGL objects.
Hindsight is Always 20/20by R Luke Dubois, Artist and ComposerPhoto by Carol Feeley
