The piece Scanners copes with the physical qualities of instrumentalists in electro-acoustic music.
installation for piano parts and LEDs
Anticipating John Cage’s more famous “silent” piece 4’33’’ by thirty years, Erwin Schulhoff’s (1894-1942) In Futurum for solo piano (1919) is nothing but rests in both hands, supplemented by question mark articulations, cryptic smiles made of slurs, and cheeky directions (“play the whole piece with expression and feeling freely, always, to the very end!“).
Video is from a performance by Rodrigo Constanzo using snare/percussion/objects, The Party Van, and DMX lights filmed by Angela Guyton at Bacon Jam Collective on 9 December 2015.In the performance The Party Van and the DMX lights are being controlled by a Max patch which moves through different interaction/behavior types (ranging from one-to-one onset=color mapping, to more complex interactions based on automatic recording/playback). In addition to the defined interaction/behavior types there is a body of prerecorded light patterns (flashes, blips, and heart rate throbs) that were recorded by Angela using a separate Max patch which selects a grid of pixels from a larger image and uses that as the pool of available colors in a kind of color granular synth.
For electric guitar, bass clarinet, percussion, violin, live-electronics and animated light 2014 Program Notes Abstract: Cats were reared in a light-tight box in which the only source of illumination was a 9-psec strobe flash every 2 sec.
Never mind the labels or categories.
iminlovewithanothergirl explores the use of a condenser microphone as percussive beater, friction actuator, feedback tuner, as well as a dynamically moveable microphone.
All Is Domain was a final undergraduate work I produced at COFA (UNSW) in 2010.
This installation attempted to synthesize the experience of blinding insight.
"What is the magic that is in the eyes of a child when watching for the first time a giant? They believe that they are certain and life ...
It's an automated earthquake simulator, with 6 inches of physical travel, 8.2 audio, dmx lighting effects, as well as mechanical effects-- all tied together through max/msp.
Developed for the T, a circular glass building located in the center of Cagliari, Tlight is a permanent interactive installation obtained through the use of LED panels on the top floor of the building. light’s panels change color and intensity depending on the traffic noise, on outside temperature and on many other sensor system.
DMaX is a set of devices for Ableton Live written with Max for Live, that allow DMX lighting to be controlled using Live parameters.