Cluster is an immersive audiovisual site-specific installation that explores relationships between space, time and perception.
MDL12 Max for Live device is suitable for Techno Music.
sig.term is the new audiovisual live performance project by Julien Bayle, based on data transmissions, interferences and physics of sound
The vArisPeed patch is a tool for designing and performing realtime, random compositions from audio loop samples played at varying speeds typically between 0.01 and 0.99 of normal speed.
g.Seq.r is a 16 step sequencer which allows you to experiment with rhythmic variation by leveraging the power of a genetic algorithm to ‘evolve’ new and unexpected patterns from a target.
After exploring algorithmic and generative composing for a while, I want to make an app that is intuitive and easy to use, fits for all kinds of music, increases the chance you come up with something you want and easy to change a single note, the result is ITVL (Interval).
DNA is a generative Max for Live midi device which stores note data over 16 steps.
Even in times of modern warfare, personal security is a subject of each personality.
This algorithm focuses on when to generate notes, based on analyses of syncopation and repetition within Live MIDI clips.
La mélodie du bonheur is the musicalization of the emotions of our society.
"Chasing LIFE on MAX" goals are:
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
The core is a slitscan machine (thanks to Rob Ramirez for his help, in 2013...) I have been playing around with it since a couple of years and finally made it to the point of presenting it as an installation.
TEXT TONE is an interactive mobile phone based sound sculpture created out of broken and obsolete telephone technology.
“The Conductor’s Philosophy” – is an audio-visual work composed by Damian T.
This is an extension of Project 894, in which a 2D landscape was used to control morphing between MIDI clips in Ableton Live. Here color and video are instead used to provide the UI for morphing.
The audio material is a combination of Garrahands input, sound files, and signal generators within Max/MSP.
reversible reaction takes its inspiration from the chemical phenomenon in which reactants and products can form each other, oscillating between chemical states.
Ableton Live lets you trigger this-versus-that MIDI clip.