This algorithm focuses on when to generate notes, based on analyses of syncopation and repetition within Live MIDI clips.
La mélodie du bonheur is the musicalization of the emotions of our society.
"Chasing LIFE on MAX" goals are:
WebernUhrWerk (translated: Webern's Clockwork) was composed as an open-air sound installation for the 60th anniversary of Webern's death which took place on 15 September 2005 on the market place at Mittersill.
The core is a slitscan machine (thanks to Rob Ramirez for his help, in 2013...) I have been playing around with it since a couple of years and finally made it to the point of presenting it as an installation.
TEXT TONE is an interactive mobile phone based sound sculpture created out of broken and obsolete telephone technology.
“The Conductor’s Philosophy” – is an audio-visual work composed by Damian T.
This is an extension of Project 894, in which a 2D landscape was used to control morphing between MIDI clips in Ableton Live. Here color and video are instead used to provide the UI for morphing.
The audio material is a combination of Garrahands input, sound files, and signal generators within Max/MSP.
reversible reaction takes its inspiration from the chemical phenomenon in which reactants and products can form each other, oscillating between chemical states.
Ableton Live lets you trigger this-versus-that MIDI clip.
El viaje de Lissajous (The Lissajous travel) is a 3 piece visual-sound project: El viaje, Lissajous, a=3 b=4.
Unlike many random generators, Compositor Max For Live gives predictable results with algorithmic approach.
First in a series of game inspired sequencers built for Push, grab the first release for FREE Push Pong is a generative sequencer built in Max for Live inspired by Batuhan Bozkurt's excellent Otomata Generative Musical Sequencer.
This is an object for Max that implements variable order Markov models for generating melodies, beats or other musical data.
A strange letter sent in 1943 by a certain Prof.