Processed Guitar using Max for Live
Making MIDI data from each sensor (distance, acceleration, pressure, brightness).
The guitarist (Amo) is using the pedal to change/modify the sound of the guitar with a pitch and filter modulation.
Every part of the project is made in max/msp
The main patches control a live session fully automated (via MIDI ! Bloom Box started before Max4Live arrived…) and allows to define advance...
Using Jitter - a Looping/Time Stretching effect is achieved.
The concatenative real-time sound synthesis system
CataRT plays grains from a large corpus of segmented and descriptor-analysed
"Paths that lead to Nowhere" is a solo ambient / new music / noise project featuring processed guitar, retuned piano and synthetic sounds.
Everything, except the microcontroller code, is programmed in Max.