I’ve been keeping an eye on the Italian digital arts studio fuse* since I first ran across an article about one of their installations that used sentiment analysis as the basis for the experience. They’re back with a new piece that fuses real-time biometric and movement sensor data with social network data to create unique performance experiences, so I thought it’d be a good time to sit down for a chat with them about their work.
London-based artist Phil Maguire works his composed and improvised alchemy with simple materials - various pieces of obsolete/damaged hardware, sine tones, everyday found sounds, and amplified noise - with Max being one of his main tools.
For more than 10 years Skinnerbox have been making tremendous contributions to the wide field of electronic-music-making.
Ben, could you tell everyone what you do at Cycling '74? As most employees do at C74, I wear a number of hats.
Formally trained and practicing as an architect, artist Filipa Valente forges beyond the expected precincts of surface, space, and form, c...
Duane Pitre is a musician and programmer with a focus on electro-acoustic, and light electronics.
Brian Crabtree creates objects, music, and objects that make music.
In this interview, Jasper explains his use of Max in prototyping large projects and creating tools.
Learn about the history of Lucid Possession and the technological solutions used in the show, and how the entire complex system works.
Dan shares how he balances programming, performance, and composition.
