If you don’t know Leafcutter John’s recordings or his software (the astounding playground that is his Forester patch) work already, you’re in for a treat.
We recently caught up with our new Jitter visuals team contributor Matteo Marson for a look at physically based rendering techniques, and then had a chat with the whole team about new features in ...
Garth Paine dives into some of the new functions of Max 8.3 and provides some playable patches that show off his unique voicing.
Like many events, the Algorithmic Art Assembly — a festival that combined a broad-ranging array of performances, talks and opportunities to network — went on a two-year hiatus owing to the pandemic and is now re-emerging.
There aren't a lot of tools out there if you're interested in low-latency network jamming, so it's a topic of conversation that I often find myself in the midst of.
Mark Fell and Rian Treanor talk about their work in collaborative performance processes - and their use in various working environments - in this three-way ...
When you first download Ableton Live Suite, it can be easy to get distracted by all the shiny new things. We've asked a number of Ableton users to talk a little about their favorite Max for Live devices - what they are, and how they use them.
Amazing things can happen when two people from different mediums come together to form a novel and highly expressive dialog. Video artist Nisa Karnsomport and sound experimentalist Ellen Phan have used their collaborative dialog to create a detailed yet highly commanding sensory performance.
I’ve been keeping an eye on the Italian digital arts studio fuse* since I first ran across an article about one of their installations that used sentiment analysis as the basis for the experience. They’re back with a new piece that fuses real-time biometric and movement sensor data with social network data to create unique performance experiences, so I thought it’d be a good time to sit down for a chat with them about their work.
London-based artist Phil Maguire works his composed and improvised alchemy with simple materials - various pieces of obsolete/damaged hardware, sine tones, everyday found sounds, and amplified noise - with Max being one of his main ...
