Atmosphery

This project uses Ableton Live, Live API, OSC, Node.js and Websockets.

Max is used as a Max for Live device to observe and set changes in Live, send and receive OSC messages.

Fingz is an interface designed to control Ableton Live, with any type of (touch) screen, directly from your web browser.

fingz-ableton-live-touch-controller

Fingz — Ableton Live touch controller

Iman Fattah

For the synth sound, I used Casio M4L patch by oli Larkin and run it through the Max for Life 8 bit degrader I made inspired by the Max for life youtube tutorial video.

super-robot-war

Super Robot War

greg beller

This project use a combination of max objects with the Bach project librairy.

la-melodie-du-bonheur

La mélodie du bonheur

bluedub

aero

AERO

jackdeacon

Uses MAX to allow the user to control sample banks, sample playback, filters, and a simple synth using just their voice.

vocal-control-of-musical-elements-in-a-live-performance

Vocal Control of Musical Elements In A Live Performance

toxic

Apart from the APC40 hardware the entire project is made using Max 5

apc40-step-sequencer-standalone-with-reverb-delay-and-4-buffers-for-loop-recording

APC40 Step Sequencer standalone (with reverb, delay and 4 buffers for loop recording)

joshua goldberg

All sound and video were run off of a Mac Mini running Max 6.0.7. The increasingly complex flocking animations were engineered using jit.boids2d and xray.jit.boidsrender, and all of the cues were stored using a system that implemented qlist triggering pattrstorage cues. 

hong-kong-mid-autumn-festival-2012-lantern-wonderland-golden-moon

Hong Kong Mid-Autumn Festival 2012 Lantern Wonderland Golden Moon

Justin Sheriff

word-sequencer

Word Sequencer

Norbert

Max and Max for Live were essential to developing this music in the early stages of the project. With these tools I was able to digitally process, and then test different sounds, mix parameters, and generative behaviors before porting to ActionScript 3 and publishing for iOS with Flash CS5.5 via Adobe AIR.  

With Max I created several different generative instruments. These assign a sound or bank of sounds to a particular behavior such as random no repeats, random sequence, x-fade sequence, and so forth. The behavior of each instrument can be changed in real time to help work out intervals and densities for the final piece.

Max for Live hosted many of the DSP effects that were used. In particular, Robert Henke's Granulator, Grain Freeze, and LFO modulators were essential to creating many of the textural elements that were used. 

baby-reindeer

Baby Reindeer

g2312

The framework and the resulting programs are build entirely with MaxMSP 5.1.9 with excursions to Java, Javascript, and C (for some homegrown hacks).

Search Results