njazz

The audio engine was exported from gen~ patch

phawuo-synth-for-ipad

Phawuo - synth for iPad

nakataka

It was created using all "Max", stand-alone applications for ambient music.

nagi-2

Nagi #2

Riccardo Carbone

As part of the release of Arthur Brick's new album, we decided to create a standalone app that takes all of the tracks from the album, and randomly loops and alters them each time it is opened to produce a variety of noise/drone/ambience/electronica.

The concept being that the parameters of an album are quite rigid and inflexible.  With the app you can create a new version of the album every time you listen to it, and shift those boundaries and limitations. 

The controls in the app are simple, and there was a choice to restrain them to track level and some tone and tremelo type effects, to keep the focus on finding the vaguely recognisable.

The new MC system in Max 8 plays a big part in the sound design of the app, it really is an amazing new feature!  Special thanks also goes to the Advanced Max: Standalones tutorials by Timothy Place.

The app is bundled in with the album download (https://arthurbrick.bandcamp.com/)


As part of the release of Arthur Brick's new album, we decided to create a standalone app that takes all of the tracks from the album, and r

half-a-worm-app

Half A Worm app

By using the Max, I made the application of standalone.

nagi-1

Nagi #1

juan

quadek

QUADEK

Lilli Wessling Hart

Bruno Zamborlin developed a new product that will allow you to turn every day objects into musical instruments. The iOS software shown on the Kickstarter page is based on the Max patch that Bruno uses for his live performances and installations.

Mogees consists of a mobile app and a small sensor that detects and analyses the vibrations that we make when we interact with the objects around us. It uses a special sound technique to alter their acoustic properties so as to make them musical.

First music video of Plaid (Warp records) and Bruno Zamborlin, with all the sounds you hear created using Mogees. 
More info about Mogees at: 
http://mogees.co.uk
https://www.facebook.com/mogees

More information about Plaid is available at the links below:
http://www.plaid.co.uk/
http://warp.net/records/plaid
https://www.facebook.com/Plaid

Plaid and Bruno Zamborlin - EL EX (Mogees trailer)

join-the-mogees-action

Join the Mogees Action

carlosdperales

All this app is entirely designed with Max MSP. Through MIRA and C74 Apps (available at app store) you can handle all the features with your iPad or iPhone.

acoustbl

Acoustbl

David Zicarelli

Today we released our first product in the app store, officially known as Mira Controller for Max (but hereafter referred to as Mira). It works on any iPad and we’re selling it for around $50. A couple of years ago, we contacted the main developer of Mira, Sam Tarakajian, on the basis of his creative tutorials that I highly recommend you check out. We asked, “Dude837 -- if that’s your real name/number -- what would you want to do?”

Sam expressed interest in something mobile.

Mira is the result of a long conversation about the process of using mobile devices with Max. The result of this conversation is the simple idea that your iPad should just give you back your patch. (It’s yours after all.)

There’s no separate UI to build, no OSC messages to deal with, no networking to configure (OK, sorry, it’s networking, there will always be something to configure).

The initial release of Mira is aimed at people interested in creating new Max projects with mobile control. In addition to the iPad app, there is a package of Max objects for our recently released version 6.1.3 you’ll need to download. The process is simple: you arrange UI elements (sliders, buttons) on top of a new object called mira.frame that represents the screen of your device. Every mira.frame in every patch gets its own tab on the iPad. In the coming months, we’ll be adding more Max UI objects and optimizing Mira support for Max for Live users.

There’s a lot more going on here than I can explain in a few paragraphs. We’ve made a couple of videos for two perspectives on the Mira workflow. Internally we’ve been referring to these as the East Coast and West Coast videos. See if you can figure out which is which.

To learn more about Mira, head on over to the app store or check out our Mira product page.


Mira developer Sam introduces it to his friends. Get more information about Mira here: http://cycling74.com/products/mira

Alex and Leslie Play with Mira

Have you ever wanted to control your Max patch wirelessly? Mira is a window into Max. Mira allows you to build interfaces. Get more information about Mira here: http://cycling74.com/products/mira

Introducing Mira for the iPad

its-mira-time

It's Mira Time

naithan

MaxComm is a free iPad app for sending OSC messages to Max over a wifi network. You can build an interface using sliders, buttons, toggles, and trackpads and then export your interface as a Max patch. You can also send multitouch data, orientation data, and motion data. Interfaces can be saved and loaded on other iPads.

maxcomm

MaxComm

sciajno

This release is based on a software application entirely written in MAX/Msp by Domenico Sciajno and compiled in two standalones, one for MAC and the other for WIN paltforms. 

This particular release in the form of a software application with embedded audio files is derived from a original composition by Sciajno.

This composition, titled Sonic Shuffle, consists of a conducted graphic score based on a specially designed deck of cards for an ensemble of laptop computers or other portable electronic/digital equipment.

A description of the original composition and the full original score can be found on the sonicshuffle.net website.

The substantial difference between the original score and The App Release is that the sonic processes defined in the score are not interpreted live, but have been recorded by 48 different artists, who are well known in the non-conventional music and sound art fields. Those are now embedded in the software application.

Another difference is that all the functions physically controlled by the conductor of the original score are now left to the user, who can operate through the specific software application. 

Everybody can be a user of such an application, no special musical and technical skills or education are necessary. Deep listening, sonic imagination and curiosity will be enough to drive any user through the experience.

The application handles the graphic score and controls the combinatory elements as well as the “orchestral” aspects of real-time, conducted composition. Unlike traditional, fixed formats (CD, DVD, digital download), this application offers the possibility of an endless number of versions, new and original at each performance.

For those who simply prefer to lay back, relax and listen, it is possible to run the application unattended, in automatic-algorithmic mode. In this way the listener may also listen without otherwise participating, hearing the work as originally manifested, allowing the application itself to determine the orchestration of the score.

For the more radical and experimental sonic adventurers, the application allows extreme customization up to and including the option for the user to introduce sound files (or any kind of audio recording) of his or her own, in combination with the embedded ones or supplanting them.

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