Max_Lover

The oscillator is writes in real time with webcam. Video input you can apply kaleidoscope effect your parameters varies the oscillator waveform. 

Sound signal have envelopes control, resonator, AM and FM controls with your respective parameters.

Synth with Video's Oscillator. 
The oscillator is writes in real time with webcam. Video input you can apply kaleidoscope effect your parame

photosynthesis

Photosynthesis

Georgia Spiropoulos

“Geografia Sonora” is a sound and video installation on the theme of the sea; an archipelago of “sound islands” of singing/speaking voices, sound signals, natural and mechanical sounds from countries bordering the Mediterranean. A “breathing sea” (the video), a continuously moving sparkling matter, changing in density, luminosity and color, is transformed into a constellation of lights. The soundscape and the video image are generated, composed and transformed in real time ad infinitum by the computer. 

The sound is distributed by 8 loudspeakers. The navigation between the “sound islands” is organized automatically by a “sound navigation map” generated as a virtual score by means of Max/MSP, the Spatialisateur and Antescofo software. The map is organized as a complex multi-level matrix defining interconnections between sounds, the spatial movement of sounds and the global organization of the material in “sound scenes”. 

"Geografia Sonora", a sound-video installation on the theme of the sea. An archipelago of “sound islands”  (singing/speaking voices, sound signals, natural and mechanical sounds) and the a continuously changing sparkling sea are automatically generated ad infinitum by Max/MSP, the Spatialisateur, Jitter and Antescofo software.

geografia-sonora

Geografia Sonora

Team Sagittarius

We Are Fine, We'll Be Fine is an audio documentary played on a wooden game board exploring people's stories about marginalization, oppression, and the navigating hope for the future. Participants unravel stories of struggle and hope by holding hands with each other while touching the board. As they progress towards the center of the board, more stories emerge.

The game works through skin connection with other players. To start, three players gather around a wooden board. While holding an icon on the board, players make a connection by holding hands with each other. This connection activates audio stories. Different connections (i.e. holding hands with another person) unravel different stories. The game ends once players have reached the center of the board and have listened to all the stories.

We used Max to create the program that detects when players are holding hands, when to play the audio clips, etc.

we-are-fine-well-be-fine

We Are Fine, We'll Be Fine

Iman Fattah

For the synth sound, I used Casio M4L patch by oli Larkin and run it through the Max for Life 8 bit degrader I made inspired by the Max for life youtube tutorial video.

super-robot-war

Super Robot War

greg beller

This project use a combination of max objects with the Bach project librairy.

la-melodie-du-bonheur

La mélodie du bonheur

Duffield

The sculpture contains twelve audio channels and runs off of an Arduino Uno with the GSM Shield and Max 7. Max 7 processes and analyzes each text message sent to the sculpture. It then cues and displays the messages on a projector screen and simultaneously plays back a simple Dual-tone multi-frequency signaling (DTMF) synthesizer composition based on the number associated with each letter on a touch tone dial pad.

text-tone

TEXT TONE

SOMO uses multiple XBee Series 2 radios to transmit motion data into Max and Ableton Live. The system is designed to control other applications via MIDI and Max, or send data via UDP into Max For Live Devices. The parsing of the incoming data is a modification of Andrew Benson's Sensor Box library. All calibration, event detection and state / preset management is also done in Max.

somo-by-sonicwear

SoMo by SonicWear

jasch

The ICST Ambisonics tools are a set of externals for full 3D surround audio processing.

In addition to the DSP-objects capable of encoding and decoding Ambisonics signals up to 11th order, the suite includes a GUI and a trajectory control object for the source control in any surround setup.

Under development and in use since 2003 the tools are freely available and work in 32bit and 64bit architectures on Mac and Windows.

Download the package here: https://www.zhdk.ch/index.php?id=icst_ambisonicsexternals

Institute for Computer Music and Sound Technology ICST
Zurich University of the Arts


icst-ambisonics-tools

ICST Ambisonics Tools

jackdeacon

Uses MAX to allow the user to control sample banks, sample playback, filters, and a simple synth using just their voice.

vocal-control-of-musical-elements-in-a-live-performance

Vocal Control of Musical Elements In A Live Performance

toxic

Apart from the APC40 hardware the entire project is made using Max 5

Search Results