Jazer Giles

The video process utilizes feedback and texture displacement. GLSL coded trochet tiles, 2D/3D fractals, FBM, and polynomic/tetration chaos  are used as "control" matrices that displace the images just a little bit  (or a lot) on each render. The audio is made by sampling  the video using jit.peek~ (after down-sampling and converting to hsl) in  a few stationary spots and and then accumulating those values in gen~  to synthesize audio. 

There are a few more steps to each of those processes but that gives the gist. Everything was made in Max.

The video process utilizes feedback and texture displacement. GLSL coded trochet tiles, 2D/3D fractals, FBM, and polynomic/tetration chaos  

this·which«youknow»

this.which(youKnow)

Giorgio

A realtime modular composition and processing software for sound design and experimental music like glitch, IDM, electroacustic, ambient...

Gleetchlab 3 is a modular software designed to process audio files and live sound sources in realtime.

Unlike many music softwares, gleetchlab does not use a "timeline", instead you can process and record sound as it plays and quckly store every  parameter into ten easy-to-recall temporary presets.

You can manipulate samples with random loop points, alterate speed and direction of playing without limits, pencil-edit waveforms and use the internal DSPs such as convolution, feedback generator, granular re-synthesis, waveshaping distortion, spectral filtering, wow simulation, dynamic reverberation and your own VST plugins.

Also you can record  and re-record endlessly each processed sound into the 6 stereo loopers or manipulate  sources coming from your soundcard and last but not least, use a quadriphonic suround mixer/recorder.

project-32-gleetchlab-3

GLEETCHLAB 3

Capillaries Capillaries is an audiovisual composition/performance that extends the idea of an audiovisual object to an audio-visual-time object - that is a tangle of interactions between sound, geometry and time. Audio-visual-time object is treated as a (meta)physical material inside a high-voltage continuum. The tensity of the continuum arises from the imbalance between various forces that pull the material in varied directions. Since the material is a complex audio-visual-time object the result is often impossible to predict. Exploring the emerging structures and their behaviours is the main focus of the piece.  

Capillaries Capillaries is a result of bi-directional communication between sound and image. It was made with Max and Live. 
 
 
 

Capillaries Capillaries is an audiovisual composition/performance that extends the idea of an audiovisual object to an audio-visual-time obj

capillaries-capillaries

Capillaries Capillaries

supko

bearings_traits is a generative music engine designed in Max by John Supko during the composition process of "s_traits," his new collaborative electronic album with media artist Bill Seaman.  bearings_traits is able to "compose" music from an enormous database of 110 hours of audio that Seaman & Supko compiled over several years.  The database includes field recordings, analog and digital noise, acoustic and electronic instruments, cassette recordings of Supko’s juvenilia, recordings of Seaman & Supko playing the piano (inside and out), and soundtracks from documentaries made in the 1960’s and 70‘s. 

To receive your own unique electronic miniature generated by bearings_traits, tweet the phrase #findmybearings to @supko.

"s_traits" comes out on the Manchester (UK)-based Cotton Goods label on 4 November 2014.

bearings_traits

spil|over is comprised of contiguous footage of a live performance. The  generative computer video utilizes a mixture of edge detection,  fractional Brownian motion, and polynomic functions to determine the  2-dimensional direction of video warping. The luminosity of the  projected video (after it's downsampled) is used to drive oscillators  and modulate FM variables to generate the audio. This audio in turn  determines the magnitude of the warping factor, which will generate more  audio, etc. There are multiple levels of feedforward and feedback in  both the colorspace and sample coordinates, employing an algorithm based  on a chaotic oscillator. A webcam captures the projected image  to introduce direct video feedback. The live performance utilized a  small midi controller to modify 20 parameters across the video and audio  domains.

spil|over comprises contiguous footage of a live performance. The  generative computer video utilizes a mixture of edge detection,  fraction

spilover

spil|over

Akihiko Matsumoto

BPM Sync Glitch Effect for ableton Max for Live Audio Track.

http://www.youtube.com/watch?v=U1IGmBydC0k

about Digital Glitcherhttp://akihikomatsumoto.com/blog/?p=644

Get Digital GlitcherM4L Digital Glitcher v.1.01 (.amxd file) 

Other Pluginshttp://akihikomatsumoto.com/download/


m4l-digital-glitcher

M4L Digital Glitcher

nedrush

The Knobulator is here. MaxForLive device for mashing up audio in realtime. Turn the knob and the effect comes on, stop turning it and it turns off. There are other options. Great for live performance as well as audio productions. Fully blue hand ready, unlock the device and edit it to suit your programming needs. Turn your beats into wabbly crunchy glitches, run some synths through it for instant wobble.

MaxForLive device for mashing up audio and is available here. http://isotonikstudios.com/ned-rush/

The Knobulator by Ned Rush

the-knobulator-by-ned-rush

Interactive a/v piece made entirely in Max.

visible-artifacts

visible artifacts

adamflorin

Patter is a realtime / freeform generative music system for Max For Live.

Patter generates MIDI beats and melodies based on a model of musical phrase plus a heavy dose of pseudo randomness. It can hold down the beat or arpeggiate like crazy, but it really shines in complex and off-kilter rhythms. It drives any synth or drum machine, and since it's built in Max For Live, every control can be mapped to MIDI hardware.

Patter is a realtime / freeform generative music system for Max For Live.
Patter generates MIDI beats and melodies based on a model of music

patter-1

Patter

Alex McCall

The project was to produce a promotional music video that blended a variety of different arts disciplines to create an interesting and visually stimulating piece with elements of dance, videography, custom effects coding and traditional paintings to accompany the music. The piece is centred around dance choreography that was filmed and then masked to allow for alternative images and video to be layered on both the dancer forms and the backgrounds. 

3 custom MAX/MSP Jitter patches were created to provide the different aesthetics - 2 of these using OpenGL to render graphics and 1 downsampling existing footage of videos and paintings. The effects were utilised with varying settings that reacted to the music as well as time based automatic modes with the end piece using upto 4 different layers of images at a time. 

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