Tim Halloran

Learning how to program in Max for Live for the first time, I built a patch that allows me to play my iPad like a cello using the gyro motion control features found in Mira.

Rotating the iPad mimics the action of pulling a bow across the strings, and changing the direction of rotation starts a new note. You can change the volume and expression of each note in real time by pulling the iPad faster or slower. The Max patch sends CC channel data to Ableton Live, where the sound synthesis in controlled.

The best part is that you don't need any musical knowledge to perform with this virtual cello, because CelloPad chooses the notes for you. I built a small probability distribution curve in Max for Live to compose random melodies within predetermined chord progressions. All you have to do is tap the screen to advance to the next chord, and CelloPad writes the melody with every new note.

Thanks to the Max community forum members for an incredibly helpful archive of posts!

Learning how to program in Max for Live for the first time, I built a patch that allows me to play my iPad like a cello using the gyro ... 

cellopad

CelloPad

Nico Arnáez

On January 21st, 2016 Kate Stashko and Nicolás Arnáez performed on the SubArtic Improv & Experimental Arts #5, in Edmonton, events organized by Mile Zero Dance. Kate was wearing movement sensors on her two hands, her movements controlled part of the sound produced by Nico on the Bass via a Max patch, played in a quadraphonic sound system, transforming this performance into a unique interactive situation where the dancer shapes the music. 

On January 21st, 2016 Kate Stashko and Nicolás Arnáez performed on the SubArtic Improv & Experimental Arts #5, in Edmonton, events organized

subartic-improv

SubArtic Improv

Ryan Burke

This project turns an android into an instrument. Through the app touchOSC, packets of the device's accelerometer readings are sent as OSC messages into Max. Then, through Max, accelerometer data is processed and paired with audio samples to send audio out through a number of players, allowing new samples to be played back without cutting off sound clips halfway through. Features include dynamic volume based on the device's velocity, speaker routing based on the device's position, and the ability to store and loop OSC messages as they pass through. Enjoy!

Search Results