Felipe Zamarron

Max was used to control the movement of the whole store. 

Initially Max was intended for quickly prototyping a program with a few motors and a user interface, but it ended up hosting the whole motion app. A custom object was programmed in C which sent commands to 176 motors through a couple of CAN bus USB interfaces. The positions of the motors were received through OSC via the networking objects. Native objects were very helpful in timing tasks and setting graphic controls to fine tune positions, speeds, etc.

nike-freestore

Nike Freestore

lyserdellic

Δ∞ [Infinite Delta] is an interactive kinetic installation/performance. A physical structure built by triangular planes and controlled by a series of servomotors. Reacting to the movement of the audience, sound and generative sequences, the structure reacts and modifies its shape.

By augmenting the physical world overlaying it into the digital world, a mixed/parallel reality was created where real elements interacted with virtual ones, in order to create new alternative, magic and hyper-sensorial landscapes to the observer.

Max (through Maxuino) used to control the Arduino and the servo's movements. It was also used  to make the bridge/interaction with the visuals (made with Quartz Composer + VDMX) through OSC messages

By Boris Chimp 504 (Rodrigo Carvalho + Miguel Neto) & Alma D’Arame (Amandio Anastasio)

2016 | IX Encontro Internacional de Marionetas de Montemor-o-Novo.

δ∞-infinite-delta

Δ∞ [Infinite Delta]

Matteo Castiglioni

Making traces is a kinetic audio-visual installation by Matteo Castiglioni that investigates the possible relationships between sign and sound, trying to bring as much as possible to the time of the composition to that of the execution, creating a score in continuous creation, execution and variation. The four large transparent panels in continuous movement represent the focus of the environment, which is the point towards which the machine is more attracted. These allow you to create bright configurations in continuous variation.

The sequence is circular and is determined by three main processes: the first is that of environmental analysis, which is performed by a camera able to map the space, for the search of the lines; the second process is in sign form and concrete answer to this analysis. The gesture corresponds to a graphic sign that is drawn by the machine, which corresponds to a sound wave which is amplified, processed and spatialized in the surrounding environment.

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