motoko

[a10]
Live performance using modular synth with Max for Live.

It is the 11th work that focuses on the atmospheres. 

All sound sources come from SSP. 
All events come from Max for Live & SSP. 
All controls were done with ATN8 & TouchOSC.

The SSP's audio interface and another audio interface were integrated into one, and all inputs and outputs were communicated with Max (for Live), which produced its own. And Ableton Live's audio effects were used in real time through Max for Live's control. 

 (🎧If you listen to it with earphones or headphones, you can enjoy the stereo imaging.🎧) 
(🔊Please turn up the volume.🔊)

[a10]
Live performance using modular synth with Max for Live.
It is the 11th work that focuses on the atmospheres. 

All sound sources come 

I performed a tape loop piece with a Cassette Tape, Modular synth, Max (for Live), and TouchOSC. Thanks for watching.


 
I performed a tape loop piece with a Cassette Tape, Modular synth, Max (for Live), and TouchOSC. 

-tlp-000-tapelooppiece000

[TLP-000] TapeLoopPiece000

Live performance using Max for Live (w/ TouchOSC & Percussa SSP)

It is the work of my performance series based on Max for Live.
I worked on this project under the big theme of Atmosphere.

I made all the Max for Live patches used in the work myself.
I modularized each patch and communicated with each other.
(Clock, Oscillators for vector synthesis, Time event, Envelope generator, Random control, Pan & Depth System ... )

I mapped the parameters of Max for Live with TouchOSC and controlled them with TouchOSC.

Max for Live output was multi-track recording using the Percussa SSP module.

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All sound sources and structures: Max for Live
All Effects: Audio Effects on Live (Controlled by Max for Live algorithm)
All controls: TouchOSC & Max for Live algorithm
Multitrack recording: Percussa SSP module (16 channels)

Live performance using Max for Live (w/ TouchOSC & Percussa SSP)
It is the work of my performance series based on Max for Live.
I worked on 

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