Adam Murray

Ruby scripting support for Max/MSP and Max for Live.

Runs on the JVM via Max's mxj object and JRuby (so you can use Java APIs and script Java code too).

This provides an alternative extension point to Max/MSP to people who prefer to work with the Ruby programming language instead of (or in addition to) languages like JavaScript and Lua.


jruby-for-max

JRuby for Max

Jessie-Jamz Ozaeta

This video covers my process for programming the HC-SR04 ultrasonic sensor into Max for an interactive video installation, in which I use 3D models I've made in Blender. I also explain my concept and themes on ego and narcissism in cyberspace, something I've often explored in my work. Programming the Arduino into the Max patcher was a challenging, but fun process to play with distance and proximity upon interaction.

This video covers my process for programming the HC-SR04 ultrasonic sensor into Max for an interactive video installation, in which I use 3D

narcissus-as-narcosis

Narcissus as Narcosis

alexanderschubert

MAX/MSP is used to do all the live electronics in the piece. 

Wii accelerometers are used as controllers. 

It also analyses the sounds of the electric guitar, which functions as an interface in this piece.

your-foxs-a-dirty-gold

Your Fox's A Dirty Gold

maudwongdesign

The touch sensors - those black strips are conductive paint wired with arduino board, and coded with capacitive library. When the capacitive read reach the cutoff value, it triggers Max to play the sound that each sensor is connected to via serial port.

outsidein-capsule

OutsideIn Capsule

Joe Malloch

This “toolbox” is a collection of Max/MSP abstraction that we have found useful in the IDMIL for creating gesture processing patches for digital musical instruments. Each abstraction is accompanied by a help patch to demonstrate its use. Authors: Joseph Malloch, Stephen Sinclair, and Marlon Schumacher @ the Input Devices and Music Interaction Lab, McGill University.

Download the details for this tool (PDF).


digital-orchestra-toolbox

Digital Orchestra Toolbox

I-CubeX

A quick and easy way to connect, configure, process, map and route I-CubeX biopotential sensors within Max. Research and experiment with human body neurophysiology.

I-CubeX biopotential sensors allow you to capture various signals:

Heart contraction signals such as recorded in an EKG (electro-cardiogram): BioVolt

Muscle tension signals such as recorded in an EMG (electro-myogram): BioVolt

Facial muscle tension signals such as recorded in an EMG (electro-myogram): BioVolt

Eye movement signals such as recorded in an EOG (electro-oculogram): BioVolt

Brain wave signals such as recorded in an EEG (electro-encephalogram): BioVolt

Skin resistance or GSR (galvanic skin response) signals: BioEmo

biosensing-in-max

Biosensing in Max

Laplace Tiger (2009) 12". For drum kit, arm-sensors, live-electronics and live-video.The use of sensors at the forearm of the player allows the complete control of the live electronics and the structuring of the piece. Furthermore the player's movement is the exclusive material for the live video.Based on these technical possibilities I tried to realize a piece that works like a huge convolution. The acoustically played material is temporarily shifted, processed and then interweaved through the motions of the performer. Apart from this sound synthesis is playable with the sensors to extend the musical language of the drum set. But the idea is that both the processed sounds and the additional elements are all controllable by and hence linked to the movement of the player - focusing the generation of sound as much on the physical presence of the player as possible. The pyramiding of sound shreds, live-electronics and the percussion itself aims at a highly condensed performance somewhere between contemporary classical music and electronica.The title of the piece is inspired by the "laplace demon" - a thought experiment describing a model using total determination. This is to evoke the question of how a system of this complexity is totally reproducible - which it is not in this case. The concept of the piece is a very structured progression of about 100 scenes, which are clearly defined - but within these cells there is a great amount of freedom for the performer on a micro level. This allows the interpreter to react to and play with the fine details and nuances arising from slight gestures and to have the freedom to develop the interlacing between the acoustic drumming and the folded, temporarily shifted processing.

project54-laplace-tiger

Laplace Tiger

mirrorboy

This object outputs leapmotion's infrared stereo camera images.（Only for Mac OSX)

Before using this object, You should check "Allow Images" on Leap Motion control panel.

Developed by@mirrorboy - http://mirror.boy.jp


jit-leapmotion-infrared-stereo-camera

jit.leapmotion - infrared stereo camera.

alp tugan

Technically speaking, there were two types of sensors to gather user interaction data. Force Resistive Sensors were placed on the front panel and piezzo sensors were placed on the sides of the car's body. Received user interaction was mapped onto a code via customized Arduino Board. Arduino code was commuicating with a sound patch that was built in MaxMSP/Jitter, and finally delivered into Ableton Live as Midi Data. In sum when a person taps onto a sensor that hides under the car's surface, that interaction was turning into a percussion sound. There were tons of cables, sawing, soldering, coding and etc...Check our video and website for more information.

vw-amarok-pikap-interactive-percussion-playing-pickup

VW - Amarok Pikap : Interactive Percussion Playing Pickup

Instrument a room for an interactive installation and make visitor movements matter by using motion sensor data within Max. Create interactives for exhibits using SensePlay software.

I-CubeX motion sensors allow you to capture various (in)activities:

Proximity, distance: Reach, ReachClose, ReachFar, Advance-645

Perimeter crossing: Flash + SeeLaser-Red or SeeLaser-IR

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