jpbellona

I used Max/MSP/Jitter for three distinct purposes. Max/MSP/Jitter collects and modifies data received from the heart rate monitor, Nintendo Wiimotes, and accelerometers, Max controls musical parameters inside the Kyma environment via OSC and MIDI messages, and lastly Jitter controls the video projections.

running-expressions

Running Expressions

cskonopka

This project utilizes the ajh.wiiremote.mxo to control two wiiMotes via bluetooth. Each wiiMote has 4 samplers that can toggle between folders and samples manually through the app or on the wiiMote itself.  A sample is triggered by making a drum motion while holding or not holding 1 of 4 button combinations.

_-wiiairdrum-_

:{_ wiiAirDrum _}:

Nick Donovan

The whole application was written, developed and tested in max.

the-large-hadron-sound-collider-app

The Large Hadron Sound Collider App

Rui Caldas

Max reads the MIDI input at channel 10 and uses the Note On and Velocity information to trigger the sounds.

The sound player for each drum and pedal pads has 8 sfplay~ objects that plays sequentially, to avoid interruptions. In the Hi-Hat cymbal pad, I've used 8 + 8 + 2 sfplay~ objects, to work with closed, opened and closing sounds. The Raid/Crash cymbal pad, uses only 8 + 8 sfplay~ objects!

All these players are linked to an master sflist~object.

The velocity information is used to "choose" the audio file played, once there are more than one for each pad, with different intensities... this is better than level control!

Two sfrecord~ are used to record, on the stereo recorder and on the track recorder.

wiidrum

WiiDrum

alexanderschubert

Laplace Tiger (2009) 12". For drum kit, arm-sensors, live-electronics and live-video.The use of sensors at the forearm of the player allows the complete control of the live electronics and the structuring of the piece. Furthermore the player's movement is the exclusive material for the live video.Based on these technical possibilities I tried to realize a piece that works like a huge convolution. The acoustically played material is temporarily shifted, processed and then interweaved through the motions of the performer. Apart from this sound synthesis is playable with the sensors to extend the musical language of the drum set. But the idea is that both the processed sounds and the additional elements are all controllable by and hence linked to the movement of the player - focusing the generation of sound as much on the physical presence of the player as possible. The pyramiding of sound shreds, live-electronics and the percussion itself aims at a highly condensed performance somewhere between contemporary classical music and electronica.The title of the piece is inspired by the "laplace demon" - a thought experiment describing a model using total determination. This is to evoke the question of how a system of this complexity is totally reproducible - which it is not in this case. The concept of the piece is a very structured progression of about 100 scenes, which are clearly defined - but within these cells there is a great amount of freedom for the performer on a micro level. This allows the interpreter to react to and play with the fine details and nuances arising from slight gestures and to have the freedom to develop the interlacing between the acoustic drumming and the folded, temporarily shifted processing.

project54-laplace-tiger

Laplace Tiger

njazz

Some jazz/jungle with live electronics using Ableton and MaxMSP.

project16-nadzharov-talalay

Nadzharov / Talalay

maingardt

Live electronics, Wii sensor evaluation, accelerometer evaluation was done in MAX/MSP.  

flower´s-silence-in-empty-guns

Flower´s silence in empty guns

All the live-electronics and wii sensor evaluation and movement detection was done in MAX/MSP.

point-ones-for-augmented-conductor-and-ensemble

Point Ones (for augmented conductor and ensemble)

Puck86

Wii remote data scaled using max to create a visually directive sampler instrument (with help from Logic Pro) controlled through intuitive, novel interaction.

project95-large-hadron-sound-collider

Large Hadron Sound Collider

Wii Controllers is a Max/MSP interface for composers and artists interested in getting started with the Nintendo Wiimote for creative application. The interface may handle up to four Wiimotes simultaneously and is ready to use alongside OSCulator. The interface uses the CNMAT object 'OSC-route'.


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