40 Posts tagged with "sample"

  • Expand Your Guitar, Vol. 1

    I've teamed up with Ben Bracken for this series of simple tutorials that will get you shredding your shreds faster than you thought possible. This first article will address the essential hardware concerns and introduce some basic concepts in designing guitar effects in Max. Future articles will address different controllers, more advanced effects, automation, and other techniques to get the most out of MaxMSP in your live rig.

  • Announcing Max/MSP Version 5

    Cycling '74 today announced Version 5.0 of its Max/MSP media development tools. This version represents a new era of Max programming, with a completely redesigned multi-processing kernel and a streamlined development environment built on a platform-independent foundation. With a new patcher interface, searchable database of objects and examples, integrated documentation and new tutorials, the new Max user will find a smoother learning curve while experienced users will see improved productivity.

  • Interview with Leafcutter John, Musician

    I spent hours and hours agonizing over an introduction to this interview. Everything I wrote sucked and realized that I have to let him speak for himself. I think Leafcutter John is brilliant. I love his music which I have been listening to over and over. It is extraordinary, and I'm enthralled with his Max patches, which are amazing artworks in themselves. We had a series of wonderful and fun conversations over a series of weeks...

  • The Phase Vocoder – Part II

    In our last article about the phase vocoder we saw how to create a basic phase vocoder for time-stretching. While it is by no means a simple MSP patch, it is a useful one. In addition to time-stretching, the phase vocoder has been used for transposition and "freeze" effects, which we will be discussing in this article.

  • Q & A with Amoebazoid

    Zuckung from Amoebazoid is the newest c74 music release. Take a quick look at what Amoebazoid, himself, has to say about his new album.

  • Our Collaboration with Ableton

    At this year's Musikmesse, Ableton announced it has entered into a strategic partnership with Cycling '74 to develop new products. You can read Ableton's story about this partnership here. I wanted to share my perspective on what this partnership will mean (as well as what it will not mean) for Cycling '74 users.

  • Getting Around in Radial

    I've been asked to write a couple of articles that discuss how I learned radiaL, and how I approach using it in a live performance setting -- both as a soloist and in an ensemble setting. While there are a good number of people out there who use radiaL, I'm surprised to discover that there are not nearly as many people who do what I do -- namely, to walk out on a stage, launch the program, and start improvising. While it seems a perfectly natural thing to do from my point of view, it may not necessarily be clear how I learned radiaL and came to my current performance practice (In addition to Voiceband Jilt, my release for c74 records, you can also find some downloadable examples of my work on my downloads page and some online release material from the label Palace of Lights).

  • The Phase Vocoder – Part I

    The phase vocoder is a tool used to perform time-stretching and pitch-shifting on recorded sounds. Its name derives from the early "vocoders" (contraction from "voice encoders"), which used a set of bandpass filters in parallel over many frequency bands, to crudely analyze and reconstruct speech. In this article, Richard Dudas and Cort Lippe explain the workings of a phase-vocoder as well as how to construct and modify one in Max/MSP.

  • Cycling '74, a San Francisco-based music software company, today released Pluggo v. 3.6, Hipno v. 1.1, Mode v. 1.3 and UpMix 1.1 which add Universal Binary support for Intel-based Macs. The plug-in collections are for RTAS, VST and AU host environments.

  • Jamie Lidell: Rocking the "one man human tornado".

  • Kevin Blechdom: Mind expansion through Max/MSP.

  • A Video Interview with AGF, Musician

    AGF: Falling in love with patches.

  • A Noisy Matrix

    Many people already know that Jitter can be a fantastic tool for video processing, but what about audio? Used with a bit of cleverness, a matrix can be just the thing for that patching impasse. Following is a set of simple examples to get you started thinking about a matrix when you've run thin on patching ideas or need a more elegant way to manage your numbers.

  • An Interview With Carl Stone

    San Francisco resident Carl Stone has composed electro-acoustic and computer music exclusively since 1972. He has been commissioned to compose and perform his works in the United States, Canada, Europe, Asia, Australia, South America and the Near East. In this 1999 interview with Gregory Taylor, Stone talks about his methods for composing with new technologies and the artistic implications of sampling.

  • An Interview With John Eichenseer

    jhno, a.k.a.

  • An Interview With Kim Cascone

    Kim Cascone has worked as a synth tech, edited music for David Lynch films, founded San Francisco's first ambient electronic music label, and helped design new systems of audio for video games. In this conversation with Ben Nevile, Cascone discusses his electronic history, his interest in genetic algorithms, and a fresh compositional direction that he calls "New Density".

  • Cycling ’74 Releases Momentary Incursions

    Cycling '74, a software company based in San Francisco, today announced the release of Momentary Incursions, the fourth volume in the Cycles series of audio source libraries.

  • Recording absences

    Someone called me during my radio program last night and wanted to know about artists who, like Moby, had appropriated traditional folk musics into their work.

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