It's not often Max is mentioned in The New Yorker. Last week, we were interested to read about Arto Lindsay's "Encyclopedia of Arto" -- drawn from previous solo works -- and then excited to learn that he uses Max.
... Max allows Lindsay to send his guitar on preprogrammed missions. With spatialization, wherever there is a speaker, a sound can appear...-- Sasha Frere-Jones, The New Yorker
If you want to learn more about Arto Lindsay, watch him here.