I imagine that there are some of you out there who made your way through the Audio Routes set of multichannel audio devices, example Live Sets and detailed documentation and found yourself thinking about creating some multichannel audio devices of your own.
Adam Rohksar (who currently teaches at NYU Steinhardt in the Music Technology program) has a long history of teaching media arts, including Max, to a wide range of people, from elementary school students to graduate students. Have you ever wondered what it’s like to teach Max to 10-year-olds? It’s not often that we find someone who has worked with this age group, so please read on for some fascinating insights into that process.
The HISS Impulse Response Toolbox is now available as a Max package! While this amazing collection of MSP tools for working with convolution, deconvolution, and other impulse response-related tasks first appeared and whetted the appetites of MSP users back in 2012, the package manager version (2.0) now includes a complete new set of reference documentation, updated helpfiles, some new objects, and a number of new Max abstractions, including a new Convolution Reverb ...
With the release of Live 10, an important (and previously unavailable) feature was added to the Live API: the opportunity for a programmer to access audio anywhere within a Live session through a M4L device.
We're excited to now present the first release of content from this year's Expo '74 — two exceptional talks from Nina C.
When you first download Ableton Live Suite, it can be easy to get distracted by all the shiny new things. We've asked a number of Ableton users to talk a little about their favorite Max for Live devices - what they are, and how they use them.
Chris Dobrian has created an amazing new resource for Max users that draws on his vast experience patching and teaching and thinking about how to do things in Max: The Max ...
Mac OS 10.15 (Catalina) support in Max 8.1 and notarizing Mac standalone applications.
Based on my last visit, KnobCon was a great place to check out the Eurorack and synth worlds in one location. This year was no exception.