For midi-drumkit, keyboard, electric guitar (and hazer, light and projection)
commissioned by and written for:
twenty hours, forward, bridge,
circle, line, open, twitch.
heavy drag, align the moths,
feathers hit embrace, the froths.
clouds of tongues, aligned commute,
a splitting point no less acute,
break lights constantly reroute,
a shadowed washout of your own repute.
ok I get it now, the undertow reloops,
the nets draw in, the flock regroups,
cheeks, light wash, attention
another breath, another quickening,
prolonged retimed, and kisses too,
an exceed intervention.
How did this project use Max?
The piece is run in Max, which brings together the processing, samplers, electronics, DMX-light and DMX-strobe control and runs the open-gl video in Jitter.