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darkInteger

A powerful suite of Max for Live audio processing devices from debut Isotonik developer 

 — built to reshape, sculpt, and transform sound in ways Ableton’s native tools simply can’t. If you’re serious about your signal chain, audiopack belongs in it.

YOUR AUDIO TOOLKIT, SUPERCHARGED.

A powerful suite of Max for Live audio processing devices from debut Isotonik developer darkInteger —...

audiopack

audioPack

Dealga McArdle

Here is the start of a tracker interface for max. It's gone through a few iterations already. The bulk of this project is currently a JS/v8 GUI object, which writes to a multi-channel buffer. I chose the buffer as data-storage because (unless i am mistaken) its indices can be looked-up sample accurately by a phasor,  and in turn can trigger a gen~ object. At the moment it only supports one pattern, but it can be as long as you want, and has no hard limits to the number of channels. There will be further abstraction and facilities to store/retrieve patterns, sequences of patterns.

The columns can be any type from the following: Note, 2Hex, 4Hex, FFXXYY, and trigger.

nnn	| note                      |  ... === ^^^  notes
hh      | 2hex                      |  ..
hhhh	| 4hex                      |  ....
b 	| bang/trigger  ( 1 or .)   |  .
ffxxyy	| COMMAND+ARG               |  ......

and a pattern markup in js like this:  ( each track needs to have a param-type, a param-name, and a group index. )

var pattern_markup = {
    length: 64,
    descriptors: {
        track: {
            0: ['nnn', 'Note 0', 0],
            1: ['hh', 'Volume 0', 0],
            2: ['hh', 'Duration 0', 0],
            3: ['hhhh', 'Offset 0', 0],
            4: ['nnn', 'Note 1', 1],
            5: ['hh', 'Volume 1', 1],
            6: ['hh', 'Duration 1', 1],
            7: ['hhhh', 'Offset 1', 1],
            ...
            16: ['b', 'Trigger', 4], 
            17: ['hh', 'Volume', 4],
            18: ['hh', 'LDelay', 4],
            19: ['hh', 'RDelay', 4],
            20: ['ffxxyy', 'Effect 1', 4],
            21: ['ffxxyy', 'Effect 2', 5]
        }
    },
    data: [],          // filled at runtime
    lexical_track: ""  // this is compiled automatically from the descriptors
};

keyboard shortcuts, at the time of writing, constricted by existing Max kb shortcuts: 

- spacebar           : enter/exit edit mode
- arrow keys         : navigate cursor
- ctrl + arrows      : faster navigation
- ctrl + x           : cuts
- ctrl + c           : copy
- ctrl + v           : paste
- shift + arrows     : set the selection rectangle
- shift + i          : interpolate selection
- shift + plus/minus : (not numkeys) transposes
- alt + up/down      : shifts content of selection
- ctrl + pg up/down  : cycle pattern -/+ 16 rows

It will write data to a multi-channel buffer, and you can read from that buffer at desired time-intervals. I'm still adding some UI/UX for swing (i'm partial to shuffle techno). For the inquisitive the JS module has routines for writing to matrices and Ableton midi tracks (in realtime).

I come from old school trackers, 4 channels then st3, impulse tracker, buzz, sunvox. Of the list of trackers I've used, I think impulse tracker came closest to a direct link  between thought and pattern data, and reproducible happy accidents. Everything could be done via keyboard. I would like to achieve some kind of platform where i can drive soft-synths or samples or send midi / CC changes.

The current maxpat that might be interesting to look at in the repo is : 

Yes, serious goals. This thing has been on my mind for maybe 25 years. I'm keeping the tracker part open source, because - if you think about it - it's just a glorified excel-type interface. Agnostic to the final use-case. Personally I want to make hardware that runs this patch and a variety of max/msp synths/samplers which can be surgically controlled via the tracker interface. I've wanted this stuff way before hardware trackers emerged.

Feedback + warnings welcome :)   i've only been using max for 6 months and am slowly going through youtube and the GO book. I've also implemented some routines that write data to Ableton Live tracks, which is also pretty cool as reinventing the wheel is not necessarily my goal.

Work In Progress.

Here is the start of a tracker interface for max. It's gone through a few iterations already. The bulk of this project...

zen-tracker

zen tracker

Ostin Solo

A Max for Live device for next-level sampling, separation, and neural restoration. Record your audio from any source, separate out stems using 63 AI models, and manipulate sound right within Ableton Live.

 brings together a wide range of separation and restoration models, including 

 text-to-sound, into a single production process.

There is no need to jump around using different apps; you can do everything locally via a single interface.

It's designed as a modular neural processing environment, 

 can integrate new models and architectures over time, extending the current features.

https://docs.vstopia.com/ostin-solo/dynamic-split-module

A Max for Live device for next-level sampling, separation, and neural restoration. Record your audio from any source, separate out stems...

dynamic-split-module-websampler-with-63-audio-separation-models-in-ableton-1

DYNAMIC SPLIT MODULE - WebSampler with 63 Audio Separation models in Ableton

Julien Bayle

Zero-latency stochastic melodic engine. Powered by a high-performance external designed for surgical generative evolution and precise probabilistic variations within Ableton Live.

Driven by a custom-coded C++ external, this device ensures instantaneous MIDI processing and surgical timing accuracy. Unlike standard randomizers, it operates with absolute deterministic precision and zero overhead, making it reliable for complex live performances and high-density generative sequences.

2. The Logic: Deterministic Selection & Memory

Move beyond chaotic noise with four distinct selection behaviors, where the variation pool is strictly managed by internal buffers:

3. The Boundaries: Physical Constraint Math

Precisely manage notes that exceed your defined Min/Max range using four distinct mathematical behaviors:

Every note is forced into a specific musical mode for 100% cohesion. 

Choose between Global (Syncs with Live’s Scale LOM) or User modes. I

f a note is off-scale, the Magnetic Snap logic performs a bidirectional search for the nearest valid semitone (Yellow Laser).

Zero-latency stochastic melodic engine. Powered by a high-performance external designed for surgical generative evolution and precise...

void-midi-random-or-m4l-stochastic-melodic-engine

VOID MIDI RANDOM | M4L Stochastic melodic engine

Zero-latency 4-pole ladder filter. A surgical C++ port of Miller Puckette’s original Pure Data architecture, re-engineered for Ableton Live.

Ported directly from the raw PD source code, this mathematical solver replicates the exact behavior of a classic 24dB/octave Moog low-pass filter. It doesn’t just cut frequencies; it physically models the electrical resistance, allowing for extreme spectrum shaping.

Unlike standard filters, the Saturation parameter acts as a hard physical ceiling 

Features a dedicated Output Make-up gain stage and a trigonometric Equal-Power Mix (Dry/Wet) ensuring 100% volume stability with no phase cancellation gaps.

Zero-latency 4-pole ladder filter. A surgical C++ port of Miller Puckette’s original Pure Data architecture, re-engineered for Ableton...

void-filter-bob

VOID Filter Bob 

Capiuz

Drone is a max for live synthesizer with 8 independent voices, two-stage distortion and automation looping, capable of producing lush, rich chords to heavy distorted walls of sound. 

Each voice comes with its own independent controls, starting with volume, panning and pitch deviation. The oscillator's frequency can be either set by hand or via MIDI message, pitch changes can be smoothed out with the glide parameter. The stutter parameter can add movement by turning on and off each voice with its own envelope, rate and probability parameters. The device allows internal automation recording via both mouse and midi controller, just turn on the rec button and move the parameters you would like to loop. The master section of the device includes general controls for volume and pitch deviation along with two types of distortion available as both pre and post lowpass filters. Drone has its own chord presets that can be shifted around by altering the root note of the chord or with the plus minus octave buttons. To create interesting textures and harmonic movements the device can also be controlled in poly MIDI mode, using it like a standard eight voice synthesizer. Finally, to generate unpredictable and unexpected results, there’s always the random button.

Drone is a max for live synthesizer with 8 independent voices, two-stage distortion and automation looping, capable of producing lush, rich...

Find Inspiration from other Max Users

audioPack

zen tracker

DYNAMIC SPLIT MODULE - WebSampler with 63 Audio Separation models in Ableton

VOID MIDI RANDOM | M4L Stochastic melodic engine

VOID Filter Bob

Dr∞ne

Arpeggio

Synesthesia

ABLETUBE - Node.js + Max for Live YouTube Streaming Device

Nostalgia Panner