This project explores the low signal/noise ratio character of social networks through a poetic audio-visual piece using Twitter.

Description / Synopsis
Saturation is an audio-visual immersive & minimalist digital piece.

From the deepest, dark and oppressive silence to the brightest light and grainy noise, Saturation accumulates bits of information from social networks and displays them progressively, making the aggregation and overlapping more visible as time passes. The sounds becoming louder, grainier and noisier from seconds to minutes.

Saturation is a statement about how our world is over saturated by data flow and the loss of meaning. Progressively, the amount of data is so big that it overlaps itself. Meaning and information content begins to lose itself, to finally reach total destruction, provoked by the initial system.

Saturation is an introspection about our being and the potential to loose the meaning and sense of the world that surrounds us, as we are subject to huge amounts of simultaneous data feed, called upon us each minute by notifications, data push systems and other device-based disturbers.

Saturation also addresses the notion of Time. By evolving slowly during 20 minutes, it drives the audience to patience, forcing them to question themselves about what they expect from computer systems. It slowly takes them to a state of paroxysmal chaos.

The piece suddenly and brutally starts again, in the dark & silence of its beginning, representing the inevitable and irreversible direction of increasing data systems that won’t ever go back, building each and every day more flows and data; sometimes for good reasons, sometimes for darker & unknown ones.

It represents the destruction of the meaning when social networks’ noise become too much high.

Here on the right is a (short) extract of the piece running. The whole process from the pure dark/silent to the pure chaos/noise lasts around 30 minutes.

Technical bits

Saturation is based on two software components:

– Processing framework (Data capture over Internet + Visuals + interface with Max6
– Max6 framework

Those modules communicate together using an OSC-like protocol inside the computer itself.
They don’t require a specific application license.

Basically, the capture module grabs data from Twitter social network.
Each tweet is displayed on the screen with a very transparent layer. One tweet only would not be visible.
The more letters overlap, the more overlapping parts of these letters are visible.

The sound is based on additive synthesis. A bank of 1024 oscillators is set up. At the launch of the piece, each oscillator’s amplitude is on zero. No sound is produced.
Progressively, as tweets are captured and displayed on the screen, each oscillator’s amplitude is incremented, very slowly, one at a time.
Following the additive synthesis process, the result a multitude of sine frequencies overlapping, the final result being a noise (a noise can be represented by an infinity of pure sine tones)

The process itself shows the loss of sense:
Indeed, each frequency listened to on its own will sounds like a beautiful sine, like a pure frequency; but the whole results in a noise, pure chaos, having lost its first meaning. In the same logic, if each tweet contains information, the accumulation of all tweets doesn’t mean anything anymore, and becomes a big grainy artwork.

Saturation's sounds are exclusively produced in real-time by Max6 and a oscbank~ object. The Max patch receives OSC data from Processing application and handles all sound generation.

More Links

November 25, 2013 | 9:58 pm

I’m amased! At first its like nothing but just a noise but as I listen further I see the impact of social network in every aspect of the world.

November 26, 2013 | 12:58 pm

social networks drive us into noisier days…

January 8, 2014 | 12:44 pm

Julian –

This may be among my favorite works of yours to date. It is the kind of thing I wrote about during my Literary Theory days in University, but could never bring to fruition – the technology (and the social networks) were not there yet. I suspected that S/N ratio would be a driving force in a return to real social interaction, and your piece illustrates the premise of the converse sonically and, dare I say, beautifully. As someone who listened to all the noise albums I could get my hands on in the 80s and 90s when I was writing along these lines, your generative piece would have stood up very well, and been a hit among the other weirdos who liked this kind of thing.

Thank you for sharing!


January 8, 2014 | 12:52 pm

Rob, thanks a lot for your feedbacks. Actually, I think I will open the patch for people to understand the process. It is basic, but I think that it could be interesting.

I’d like to show it and currently looking for a place to exhibit it.

Btw, I hope you’ll like my other current work:

Viewing 4 posts - 1 through 4 (of 4 total)

Explore More

Subscribe to the Cycling '74 Weekly Newsletter

Let us tell you about notable Max projects, obscure facts, and creative media artists of all kinds.

* indicates required