2 + 1

The patch uses one microphone as its input for source material sat on the floor that any of the performers can pick up and use to produce sound with their voices, bodies and anything within the installation. The piece incorporates four samplers and four sound freezing modules (using a mixture of FFT analysis and jitter) that the operator can manipulate via sample looping, editing and shaping passed through several filter, reverb and bit-crushing modules.