Nico Arnáez

Interactive Sound Installation using 3D video tracking (Microsoft’s Kinect), three-dimensional ambisonics cube sound spatialization (IRCAM’s spat~), real-time processing, and Max MSP patch. 

Eight speakers in an ambionics cube configuration play octophonic recordings of three different soundscapes of Edmonton, Alberta, Canada (a bridge, a food court and a train station). At the same time, when people walk inside this cube a sensor reads his three-dimensional position and translation and a sound is played, the position of this sound is the same than the person's position.

Interactive Sound Installation using 3D video tracking (Microsoft’s Kinect), three-dimensional ambisonics cube sound spatialization (IRCAM’s spat~), real-time processing, and Max MSP patch. 
Eight speakers in an ambionics cube configuration play octophonic recordings of three different soundscapes of Edmonton, Alberta, Canada (a bridge, a food court and a train station). At the same time, when people walk inside this cube a sensor reads his three-dimensional position and translation and a sound is played, the position of this sound is the same than the person's position.

​Interactive Sound Installation using 3D video tracking (Microsoft’s Kinect), three-dimensional ambisonics cube sound spatialization (IRCAM’

Composición Colectiva II: Intervención [Collective Composition II: Intervention]

2014

Edmonton, Alberta, Canada

Composición Colectiva II: Intervención ​​[Collective Composition II: Intervention]

2014

Edmonton, Alberta, Canada

Composición Colectiva II: Intervención [Collective Composition II: Intervention]