Nico Arnáez

Brass quartet, sixteen channels two-dimensional ambisonics sound spatialization and real-time processing in Max 7, in an open field.

Desde la Perspectiva del Viento is a study on sound and music spacialization. During each one of its sections a central idea of sound in movement and location is explored. There are rhythmitized drones by fast movements, spatial canons, spatial sound granulation, stretched chordal textures in permanent translation, among others. 

Brass quartet, sixteen channels two-dimensional ambisonics sound spatialization and real-time processing in Max 7, in an open field.
Desde la Perspectiva del Viento is a study on sound and music spacialization. During each one of its sections a central idea of sound in movement and location is explored. There are rhythmitized drones by fast movements, spatial canons, spatial sound granulation, stretched chordal textures in permanent translation, among others. 

Desde la Perspectiva del Viento [From The Wind's Perspective]

2015

Edmonton, Alberta, Canada