A digital granary of processed instrumental and electronic sounds, field recordings, rock formations, plants, animals and swarms unfolds a narrative of becoming.
The prime material of the work consists of deconstructed human voices, physical instruments and field recordings dissolved in an imagery of photographs, videos and processed visual material collected around the Troodos mountain range on the island of Cyprus.
I have worked with custom software to algorithmically process the source material, generatively creating configurations of visuals and sound; a collaboration between human and algorithm, the work constitutes an audiovisual 'narrative of becoming' and questions the relationship between the digital and the organic.
Software developed in MaxMSP & Jitter. Visuals are rendered in 4K using an Atomos device. Sound is edited in Ableton Live. Go Back to Hiding in the Shadows is performed live using Max for Live.
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. Artworks available on Sedition.