To create the final tracks, I wrote a new Max for Live device that would change the color of a clip in Ableton Live upon being played to ensure no single clip would get fired twice. In addition to leveraging Max to facilitate this workflow, custom LFO devices were used to modulate parameters in virtual synths to create the source material.

    • May 16 2012 | 8:57 am
      Nice job ! It is pleasant to listen! Thanx :)