Luke DuBois is a teacher at Columbia University in New York City, and a member of the famous Freight Elevator Quartet, whose "Fix It In Post" CD is making waves as the first release on the C74 record label. In this conversation with Gregory Taylor, Luke shares stories of synthesizer part scrounging, the early days of the Freight Elevator Quartet, and some of his most inspiring students' projects.
Amnon Wolman creates music with technology and for instruments with two distinctive features: first, a subtle and complex relationship with popular culture and second, a concern for the dramatic nature of sonic evolution. His first release on the c74 record label is "Dangerous Bend." In this conversation with Ben Nevile, Wolman discusses his romantic compositional techniques and reveals the unusual nature of his introduction to computer-based music.
Kim Cascone has worked as a synth tech, edited music for David Lynch films, founded San Francisco's first ambient electronic music label, and helped design new systems of audio for video games. In this conversation with Ben Nevile, Cascone discusses his electronic history, his interest in genetic algorithms, and a fresh compositional direction that he calls "New Density".
One of the more difficult things for many beginning Max/MSP users is dealing with polyphony. So I thought I'd write up a few articles about the poly~ object, and help take some of the heat off of a new user's head.
The following article is designed to shed some light on the different priority levels of Max events...