The Méta-Mallette is a platform in which you can load audio/graphics virtual instruments (made in max) or VST plugins.
Author: Livid Instruments
MIDI controllers supported with a variety of Max/MSP/Jitter patches for audio and video.
Applying elements of AI to generative software within MaxMSP.
Authors: Micheal Miller, Brad Baumgardner, Dhivya Ketharnath, Sriram Pavan Kumar Tankasala, and Eric Souther
The Life of the Techno Buddha was constructed out of 108 Youtube videos when search term “Buddha”.
The Software Klee Step Sequencer is a MIDI-enabled recreation of the electro-music.com hardware Klee step sequencer - developed with the input of the sequencer's creators! It reproduces almost all of the features of the hardware version, and adds many new features as well.
Robert Henke is a brilliant electronic musician who records and performs under his own name and also as Monolake.
OMM is a robotic orchestra leaded by a human performer gestures.
pMix (short for preset mixer) is a composition and performance tool that facilitates the control of multiple plugin parameters using an intuitive graphical interface.
In her first years of using Max, Pamela Z was able shed the hardware weight by building her own instrument in Max.
Alex Stahl is a veteran collaborator and this has never been more evident than in his collaboration with Composer Paul Dresher for the opera Schick Machine.
I spent 4 days in Pittsburgh in early June attending the 2009 NIME conference at Carnegie Mellon University.
I recently wrote a couple of tutorials for the Cycling '74 website on a subject that's close to my heart - generating and organizing variety when working with Max (I'll bet that you just thought they were about making LFOs and working with the new Max 5 timing features, didn't you?).Download the patch used in this tutorial. Other LFO tutorials:
Many of us are invited to perform in unique circumstances – it’s a part of the Digital Media life.
On the afternoon of April 3rd, I received an email from M.I.A.'s manager asking if I'd be interested in working with them on a one-off show on the mainstage at Coachella that would feature live video processing, 2 DJs, a real Lighting Director, and glowing EL-wire wardrobe by Janet Cooke Hansen (www.enlighted.com, Daft Punk, etc.) for Maya and the dancers.
In the last installment of the Video Processing System we left off with the beginnings of a basic live effects chain with basic compositing, blur, and color effects.
K-Bow Keith McMillen Instruments recently impressed all of us at NAMM with demonstrations of a new pair of string performance devices, the K-Bow and StringPort, both of which include some very rich software applications written in MaxMSP.
In this, the final episode of our guitar processing extravaganza, we are going to step away from making effects and focus on performance support.