Guitar (hex) pickup into Max

Call for Participation!
Registration is open to participate to our next workshop in Brussels,
11-14 October:

Laptop Music workshop:
Simple Genetic Algorithm for Music by Kim Cascone
The purpose of this workshop is to stimulate new ways of working
collaboratively and in performance with open source materials. Kim
Cascone's approach is based on a simple genetic algorithmic which is
'executed' by the participants.
The concept for this workshop was inspired by John Maeda's "Human
Powered Computer Experiment". In this experiment Maeda recreated the
internal operations of a simple computer using people to physically
transport handwritten instructions and data to and from the CPU, RAM,
FPU, etc.
Participating in this type of experiment enables one to transfer
abstract concepts from their body to their brain. In a similar
spirit, this workshop develops a group workflow using the model of a
Simple Genetic Algorithm (SGA) with the result being an emergent work
of music/sound art.
The SGA workflow for the participants group is constructed as an
iterative process performed by the participants and working on a
shared pool of open source sound files (the gene pool) to which
fitness, matting and mutation operations are iteratively applied
until a collaborative work starts to converge.

About Kim Cascone
Kim Cascone has a long history involving electronic music: he
received his formal training in electronic music at the Berklee
College of Music in the early 1970's, and in 1976 continued his
studies with Dana McCurdy at the New School in New York City.
In the 1980's, Cascone worked with David Lynch as Assistant Music
Editor on both Twin Peaks and Wild at Heart.
In 1991, Cascone concentrated on Silent Records, a label that he
founded in 1986, transforming it into the US's premier electronic
music label. At the height of Silent's success in early 1996, he sold
the company to pursue a career as a sound designer and went to work
for Thomas Dolby's company Headspace. After two-years at Headspace he
worked for Staccato Systems as the Director of Content where he
oversaw sound design using algorithmic synthesis for video games.
Since 1984, Kim has released more than 30 albums of electronic music
and has recorded/performed with artists such as Merzbow, Keith Rowe,
Tony Conrad, Scanner, Ikue Mori, and Pauline Oliveros among others.
Cascone was one of the co-founders of the microsound list,
http://www.microsound.org, which focuses on issues concerning digital
music and laptop performance. He has also published work for Computer
Music Journal (MIT Press), Artbyte Magazine, Contemporary Music
Review, and Parachute Journal.

When ?
Workshop dates are : from THU 11 OCT to SUN 14 OCT in Brussels. From
10am to 18pm with lunch break. Public concert on SUN 14.

Where ?
at iMAL, 30 Quai des Charbonnages, 1080 Brussels.

Language ?
English (c'est pour cela que cette annonce se fait uniquement en anglais...)

Registration
Only through the registration form on http://www.imal.org/cascone_workshop/
The workshop will accept a maximum of 15 participants. The
participation fee is 30 EUROS.

--
Yves Bernard yb@imal.org
asbl iMAL vzw
30-34 Quai des Charbonnages
1080 Bruxelles/Brussel
tel 32 2 410 30 93

http://www.imal.org
http://www.erg.be/blogs/artNumeur
http://www.i-cult.be