Survey: sketches and music composition (2)


    Dec 11 2006 | 5:28 pm
    Dear maxers,
    Many thanks to those who replied to my questionnaire.
    I would appreciate more participation, so if you did not fill the questionnaire, please take 5 minutes to do so. In particular, I would like to determine whether sketching at the early stage of a composition is a common practice or not. Therefore, if you DON'T sketch before composing, please fill the questionnaire also.
    Best wishes,
    Jean-Baptiste Thiebaut
    Please find below a questionnaire on composition practices. This survey
    is meant to study the relation between notation and composition,
    focusing in particular on the sketches drawn at the early stage of a
    composition. If you do draw sketches before composing a piece, you are
    kindly invited to send them attached as an image, along with this
    questionnaire. Please send your answer to this e-mail address:
    jbt@dcs.qmul.ac.uk or fill this questionnaire on the web :
    Please forward this questionnaire to any person or list interested in
    the subject.
    A disclaimer follows the questionnaire.
    Best regards,
    Jean-Baptiste Thiebaut
    *Questionnaire: Sketches and Music Composition*
    1 -What material did you use at the early stage of the composition ?
    (i.e. pen & paper, computer, instruments,...)
    2 - Where were you when you started? (at your usual desk, in your bed,
    walking,...)
    3 - What was the first representation of the piece? (a vague shape, an
    organised structure, a process that has nothing to do with visuals,
    ...). If you don't use representation you can go to question 6.
    4 - What do you represent at this stage? (structure, melodic patterns,
    rhythmic patterns, dynamics, states, events, etc.)
    5 - How much details are represented at this stage?
    6 - If you didn't represent anything, how did you think of the piece?
    7 - How did the piece evolve from its early stage, did the overall
    structure remain or did it change?
    Questionnaire Disclaimer
    You have chosen to complete the Questionnaire: Sketches for music
    composition.
    In order to continue with this questionnaire, your consent is needed.
    Please read the following information.
    By agreeing to participate in this study, you the participant agree to
    the following questionnaire. You understand that all information will be
    kept in the strictest confidentiality and anonymity and that your
    information will only be identifiable by your research identifier which
    you will complete before answering any questions.
    If at anytime you do not wish to complete the questionnaire then please
    stop doing so.
    Having completed the questionnaires you may subsequently withdraw your
    information by contacting the researcher and quoting your research
    identifier.
    You may also be asked if you would like to participate in further
    research. If you agree, you will be asked to provide contact details for
    yourself. This can be an e-mail address, postal address or telephone
    number.
    In this situation replies will not be anonymous as the researcher will
    have to use the contact medium. However, you are reassured that all
    replies in this situation will be dealt with confidentially and answers
    to the questions will be made anonymous as soon as possible via coding
    procedures.
    The researcher agrees to abide by your wishes at all time, and agrees to
    maintain all replies and correspondence in complete confidentiality and
    anonymity.
    Should you have any queries before proceeding please do not hesitate to
    contact me. This does not oblige you to complete this questionnaire.
    --
    Jean-Baptiste Thiebaut
    Interaction, Media and Communication Group
    Queen Mary, University of London
    http://jbthiebaut.free.fr/
    Tel:+44 (0)207 8825 257