motoko

Live performance using Max for Live (w/ TouchOSC & Percussa SSP)

It is the work of my performance series based on Max for Live.

I worked on this project under the big theme of Atmosphere.

I made all the Max for Live patches used in the work myself.

I modularized each patch and communicated with each other.

(Clock, Oscillators for vector synthesis, Time event, Envelope generator, Random control, Pan & Depth System ... )

I mapped the parameters of Max for Live with TouchOSC and controlled them with TouchOSC.

Max for Live output was multi-track recording using the Percussa SSP module.

All sound sources and structures: Max for Live

All Effects: Audio Effects on Live (Controlled by Max for Live algorithm)

All controls: TouchOSC & Max for Live algorithm

Multitrack recording: Percussa SSP module (16 channels)

It is the work of my performance series based on Max for Live.
I worked on this project under the big theme of Atmosphere.

I made all the Max for Live patches used in the work myself.
I modularized each patch and communicated with each other.
(Clock, Oscillators for vector synthesis, Time event, Envelope generator, Random control, Pan & Depth System ... )

I mapped the parameters of Max for Live with TouchOSC and controlled them with TouchOSC.

Max for Live output was multi-track recording using the Percussa SSP module.

-

All sound sources and structures: Max for Live
All Effects: Audio Effects on Live (Controlled by Max for Live algorithm)
All controls: TouchOSC & Max for Live algorithm
Multitrack recording: Percussa SSP module (16 channels)

Live performance using Max for Live (w/ TouchOSC & Percussa SSP)
It is the work of my performance series based on Max for Live.
I worked on 

The Instagram and YouTube channel addresses have been changed.

YT: https://www.youtube.com/c/motoko-v-s
IG: https://www.instagram.com/motoko.v_s

m00

2020

Seoul, South Korea