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axers fall

f you like this type of content,please check out my youtube channel!!!

 tutorial : https://www.youtube.com/@axersfall369

[Video]
if you like this type of content,please check out my youtube channel!!!

more ambient sound design tutorial :...

additive-synthesis-with-gencodebox

additive synthesis with gen.codebox~

[Video]
Please check out my youtube channel for more Max/MSP ambient sound design videos!!!

Like, SHARE and subscribe :...

phase-distortion-and-waveshaper-effect

phase distortion and waveshaper effect

Jose Salgado

Is it possible to build in max a granular Synth that uses 20 samples at the same time? Meaning it takes grains or small parts out of 20 samples and reorganized them to create a new sound?

Granular_Synth_MC_02.maxpat

granular-synth-using-various-samples

granular synth using various samples

.quasar

I have always been fascinated by the group of chaotic ugen created by Nick Collins and used as Ugens in Supercollider.

I therefore present an adaptation of the algo presented in the paper as "From Ellipse to Super-Toroid" with a little attempt at antialiasing since these Ugens are known to be kind of reckless frequency wise. Anyway, it sound like a waveshaping/FM algo on steroid with a wide range of sounds

[sharing] Even More Errant Sound Synthesis - From Ellipse to Super-Toroid

sharing-even-more-errant-sound-synthesis-from-ellipse-to-super-toroid

lucas boutignon

i've been working on waveguides for a little while, and i've been curious of creating a model that could produce an oscillation without using a "long" delay line , but only 1 samples feedback loops.

i realized that in some situation, manipulating the gain of a really short delay line could produce low oscillations. i am surprised by that and i don't understand how it's possible. i have a here an example of an oscillator that is almost in tune, that can create almost any frequency without the use of a "long" delay line, or a wavetable, or a sine/cosine object.

it seems like this system is a self-sustained oscillator, as it produces a periodic oscillation without any periodic input. through trial an errors, i found the formulas in order to tune the oscillator and define its frequency properly, and also to adjust the output's amplitude accordingly.  

does anybody know if this oscillator could be useful ? i wonder how this is even possible. at least, adding some fm modulation and self modulation can create interesting chaotic sounds, that are a bit different from the sounds achieved with more traditional, parametric oscillators. 

hello!

i've been working on waveguides for a little while, and i've been curious of creating a model that could produce an oscillation...

gen-oscillator-without-delays-lines-or-cossin-function-how-is-it-possible

gen~ : oscillator without delays lines or cos/sin function. how is it possible ? 

If you like this type of content, Please press like button and subscribe to my youtube channel!!!THANKS!!!!!!

[sound design tutorial] Maybe this is the "best distortion algorithm" 

maybe-this-is-the-best-distortion-algorithm

J Mangel

ive managed to get the first stage to curve as expected, but cannot do so with the dec and rel stage. Any ideas? 

gen-adsr-with-curved-stages

Gen~ adsr with curved stages

Played around recently with Digital Waveguide Meshes in gen~ to model membranes. Used 

There are a few examples in max for rectilinear Waveguide Mesh patches but from what I read so far, the "triangular" meshes offer some advantages in terms of dispersion.

This is a 3 nodes triangular Digital Waveguide Mesh examples (each node consist of 6 waveguides). Implemented a few other options like damping and nonlinearity.

Tell me if you're missing any abstraction of gendsp file but i think everything is in there !

Played around recently with Digital Waveguide Meshes in gen~  to model membranes. Used this thesis as a basis.
There are a few examples in m

-sharing-digital-waveguide-mesh

[sharing] Digital Waveguide Mesh 

I am new in the gen~ realm. I am creating a granular synth using gen~. But I want to be able to change de sample very easy. I thought the polybuffer~ object could help me with that, but I dont know how to reference the individual buffers inside the polybuffer~ object.

using-polybuffer-and-gen

Using polybuffer~ and gen~

Justin Daley

Hi all, looking for some honest feedback and help on creating a good Freezer/Sample sustainer in gen~. The RNBO pedals freezer is probably the perfect version, but I’m happy with a cheaper, gen~, near-equivalent. 

I’ve got it started, but wonder how much of the polyphony in RNBO’s version will be needed. I’m also getting tripped up on the toggle A/B recording to the [data] objects. 

The transient detector portion is primitive, I know. Hoping it’s enough for the purpose.

Hi all, looking for some honest feedback and help on creating a good Freezer/Sample sustainer in gen~. The RNBO pedals freezer is probably...

Gen Forum