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sam ssaem

 is a Max for Live audio device that serves as a hub to control Live’s A/B device comparison feature (

). This feature is a great way to compare mixing choices, or to compare audio effect, MIDI effect, or instrument settings.

ABBY is a Max for Live audio device that serves as a hub to control Live’s A/B device comparison feature (Live 12.3+ only). This feature is...

abby-m4l

ABBY (M4L)

Francesco Mulassano

 is an open-source, modular hardware and software development kit designed to let you build custom synthesizers, audio processors, MIDI/CV interfaces, and Eurorack-style modules. At its core sists a DSP board based on the "Daisy Seed" platform, and 

 is built from a set of modular boards - Audio I/O, MIDI I/O, CV/Gate I/O, Display, Potentiometers (with LEDs), and 2 keyboards with 16+16 illuminated buttons.

 is fully open-source, both hardware schematics and firmware are freely available. This gives you the freedom to experiment, prototype, customize, and expand - wheter you're a musician, a designer, a developer or some curious about building sound gear from the ground up.

 is its programmability. You can develop DSP code in C++, Arduino or other languages - and significantly, you can also use visual DSP environments such as 

 (within Max/MSP) or PlugData. This makes 

 accessible even if you prefer working in graphical, modular patching environment rather than writing low-level code.

In short: Cosmolab is not a fixed-function instrument, but a flexible "sandbx" - a toolkit for creation. It gives yo uthe building blocks to design anything from simple effects pedals to complex modular synth voices, integrating audio I/O, MIDI, CV, UI (knobs, buttons, display), and more.

Cosmolab's support for Max Gen~ (trough OOPSY) means that if yu're alreandy Max/MSP user, you can prototype DSP alghoritms and audio patches in a familiar visual environment, then deploy them to hardware - bridging software and hardware seamlessly. This males it a great tool not only for developers, but also for educators, experimental musicians, and anyone interested in exploring sound design with hardware.

We're now in crowfunding phase (fully funded in less than 2 days): if you believe in experimentation, DIY spirit, and building your own instruments - consider joining the Cosmolab community.

Cosmolab is an open-source, modular hardware and software development kit designed to let you build custom synthesizers, audio processors,...

cosmolab-professional-audio-developer-kit-based-on-electrosmiths-daisy-seed

Cosmolab – Professional Audio Developer Kit based on Electrosmith's Daisy Seed

Julien Bayle

 is a live performance that merges sound and image through real-time composition, where electronic music becomes an act of continuous generation. The system does not operate autonomously: it is based on a set of precise rules, combining written elements, determined variations, and generative processes incorporating degrees of randomness. It follows no linear script, but unfolds through a modular and combinatorial logic, where each execution actualizes a unique configuration of the system.

Each component of the performance — rhythmic sequences, sound textures, light pulses, visual projections — evolves according to its own temporal logic. These elements are not mechanically synchronized, but interweave within a dynamic of unstable balance, where the slightest variation — even minimal — can shift the perception of the whole: the flow, the structure, the space.

(Warning: This video contains flashing lights that may affect photosensitive viewers)

 does not aim to simulate any human expressiveness, but rather to create tension between determined structures and unpredictable behaviors. Patterns emerge, transform, vanish, sometimes return altered — as if the system were oscillating between memory and forgetting, rigor and entropy. This generalized pulsation, shared across media, becomes a form of non-verbal language, in which the oscillation itself conveys meaning.

The visual projection interacts with the sound through a logic of structural interplay. Built upon the same principles — fragmentation, repetition, modulation, drift — it generates a luminous language made of minimal images, abrupt flashes, unstable figures, or shifting geometries. Sequences of extreme stroboscopy may be followed by visual silences, suspending perception and creating ruptures or breathing spaces.

The performance offers an extended sensory experience, placing the audience at the heart of a system in constant transformation. Far from narrative or linear dramaturgy, super.system explores states of active focus, between tension and release, between control and disorientation, where harmony — when it arises — always feels contingent.

Neither a traditional concert nor an immersive installation, 

 inhabits an in-between space: a living work, performed in real time, traversed by forces that organize, confront, and dissolve. Each moment arises from a fragile balance between intention, structure, and the unpredictable — between programming and behavior.

super.system is a live performance that merges sound and image through real-time composition, where electronic music becomes an act of...

supersystem

SUPER.SYSTEM

ianjojo

Celestine is a real-time, celestial granular Max for Live instrument for Ableton Live - a granular processor, a granular delay, and a generative texture engine all at once.

Instead of loading samples, Celestine hosts a constantly rolling buffer that’s always listening, always replenishing itself, always reacting to what you play in the moment. It explodes incoming sound into swarms of micro-grains - pitched, reversed, widened, scattered, and animated with musical intelligence - making it equally inspiring for live performance, studio sound design, improvisation, and discovering happy accidents while you twist knobs. Celestine doesn’t store audio for later… it’s about the fleeting moment. The present. The now.

The device was inspired by boutique guitar pedals - that feeling of immediate sonic gratification. While many granular devices feel clinical or static, Celestine feels organic and alive. It behaves like something with a personality, always hungry for new audio, always reshaping what you feed it. I kept asking myself: “What would Chase Bliss do?” - and I built toward that ethos of tactile discovery and musical unpredictability.

Choose from eight unique granular modes that shape grains into wildly different behaviors:

• Mosaic – pitch-shifted harmonic clusters

• Constellate – rhythmic anchor patterns

Scrub through time or let Celestine follow the beat with bar-locked grain triggering. From shimmering pads to glitching rhythms, from delicate halos to chaotic scatter, Celestine was built to be expressive, musical, effortless, and completely click-free.

Rounding out the device is a hearty FX section featuring:

• wave-folding distortion for rich harmonics

• a bitcrusher that ranges from subtle grit to digital devastation

• the Magic multi-FX panel - seven artisanal tone-shaping algorithms that transform sound with a single knob

The device shines on melodic material - vocals, guitars, synths, pianos - but it can also turn percussion into sparkling glitches, rhythmic fragments, or shimmering ambience. Use it as an insert with dry/wet blending, or run it as a send to scatter fragments of your mix into space.

• 8 granular engines (pads, clusters, blooms, tides, sequences, orbits)

• Bar-locked playback with grid-synced grain triggers

• Seam-safe, click-free, interpolation-smart DSP

• 30-voice grain pool with smoothing & normalization

• Dirt (wavefold & bitcrush) + lush reverb + Magic multi-FX

• Real-time, live-reactive granular buffer architecture

Perfect for ambient, cinematic, experimental, IDM, post-rock, generative composition, and sound design.

Celestine doesn’t just granulate - it elevates audio into something celestial.

Celestine is a Max for Live device compatible with Ableton Live 11 Suite and up.

Celestine is a real-time, celestial granular Max for Live instrument for Ableton Live - a granular processor, a granular delay, and a...

celestine-v20

Celestine v2.0

axers fall

Well, I don't know what else to say. Like I said, this plugin is too "experimental" even I can't handle it very well......LOL

There are more effects we can explore beyond the combinations I showed you in this video.

More amazing Max/MSP ambient sound design videos : 

[Video]
Well, I don't know what else to say. Like I said, this plugin is too "experimental" even I can't handle it very well......LOL
There...

exp-spectone

Exp. SpecTone

Feri G

 is a powerful, real-time audio manipulation device for Ableton Live, designed to bring unpredictability, movement, and rhythmic chaos to your tracks. It combines 

 into a single, intuitive interface, allowing producers and live performers to create everything from subtle tape-style imperfections to extreme, glitchy textures.

Drox is a powerful, real-time audio manipulation device for Ableton Live, designed to bring unpredictability, movement, and rhythmic chaos...

drox-ii

Drox II

 is a versatile multi-effect device designed for 

. It combines four powerful engines that can be used independently or together, giving you 

Find Inspiration from other Max Users

ABBY (M4L)

Cosmolab – Professional Audio Developer Kit based on Electrosmith's Daisy Seed

SUPER.SYSTEM

Celestine v2.0

Exp. SpecTone

Drox II

Drox II Pro Stutter Glitch Engine

Auren Pro - Multiband Spectral Delay

Evorn - Multi LFO Modulator

Simpler Shuffler