Live performance using Max for Live (w/ TouchOSC & Percussa SSP) It is the work of my performance series based on Max for Live. I worked on ...
This Spring I was invited to do an internet radio interview for JANUS Radio, in a kind of "Desert Island Discs" format, alongside an ...
GA-MA, a music research team, develops and applies new technologies for studying traditional flute music of the Andes
Who doesn’t get seen on the internet? ‘What the Robot Saw’ is a perpetually-generated robot documentary live stream and durational online ...
One of the challenges faced when controlling parameters within Ableton Live using generative or automated means is achieving long-term ...
Kaizo Snare was a performance developed for the FluCoMa project and uses their externals for Max.
Language exists to be meaningful and is used by human beings to communicate with other human beings. When words are used to represent ...
A Max for Live device for real-time granular synthesis. The main features are: - 8 voice polyphony; - Live Mode - real-time ...
Iosif is a step sequencer based on Joseph Schillinger's concept of Interference Patterns.
I recently discovered that, while it is possible to map the Max for Live LFO device to Ableton Live's global tempo, doing so results in no ...
