Hamish Jowett

I want to program an interactive screen which will translate body movement into sound and not sure whether I should use Processing or Max-msp. 

 I want to program an interactive screen which will translate body movement into sound and not sure whether I should use Processing or Max-msp. mobdro 

 I want to program an interactive screen which will translate body movement into sound and not sure whether I should use Processing or Max-m

max-msp-or-processing

Not familiar with "Processing" but you could for sure use Max.

Motion Tracking in Max MSP

Music Composition using motion tracking by Sung Jun Kim

MAX MSP Motion Tracking

A patch I adapted in Max/MSP for remixing/composition using your laptop camera to track video/color. Based HEAVILY on a colleague's patch (http://www.andreaswittich.com/) for video/color tracking.

The first 45 seconds or so of the video is silent, so don't blast your output.

Max/MSP Camera Tracking Remix

Using FaceOSC to control Ableton Live with custom MaxMSP patch.

Taking OSC message from FaceOSC I was able to translate them in a custom MSP patch (see Max/MSP/Jitter Cycling74) using the CNMAT external "OSCroute~". 

In this MSP patch I have translated the OSC messages to midiCC messages, in addition, I have added a scale function to both the incoming OSC messages and also the outgoing midiCC messages to allow further customising.

Full details and FREE download of this MSP patch are available at: http://www.tomhall.com.au/blog/?p=3604

http://www.tomhall.com.au

( 9/27--7:27pm -- just updated patch, you can now see the incoming OSC signal before the conversion to Midi CC, this allows you to tune it more accurately)

FaceOSC w/ Custom MSP Patch & Ableton Live

This video shows a system I created in Max/MSP, catchily named the "Swarming Hoberman Sphere-Controlled Spatialised Granular Synthesiser".

The system involves the use of a Hoberman expanding sphere to control the size and position of a Boids swarm algorithm, which in turn controls the individual voices (grains) in a granular synthesis engine (16 voices) in a spatial context. The intended speaker configuration for this system is the 8-in-a-circle setup, but is easily adaptable to use with other speaker configurations. The position and size of the sphere is tracked by a camera and can alter parameters within the audio engine dependent on its position. I got a First for this system and accompanying report.

Spatial Max/MSP Patch (Camera-Controlled Swarming Spatialised Granular Synthesiser)

Not familiar with "Processing" but you could for sure use Max. 

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Max-msp or Processing