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ianjojo

I had this idea for a realtime granular device that would record using 

into a buffer that's, say, a 1/16th note long.  And then to have a granular gen patch which is listening to the same buffer and spitting out grains.  It works, in theory, but of course due to the buffer constantly being overwritten by new data, I'm getting some strange metallic glitchy distorted sounds occasionally.

I'm trying to wrap my head around the best way to accomplish this without these glitches.

Started imagining a ping-pong system where I have two buffers (A & B) and one of them is recording while the other is playing back, and then they swap their roles, but I can't seem to figure out an eloquent way to make this work.

Or perhaps, am I missing something and there is perhaps a way to do this without the double buffer system?  I spent some time tonight messing with the sync out from 

 thinking maybe I could detect the edge there and use that to smooth out the glitches.  I also can't be sure that the glitches are only occurring at the end or beginning of the buffer.

A stripped down version of this idea is attached in the form of a max4live patch.  Any advice would be greatly appreciated! You'll just need to turn up the Grain Size and send some audio out from Ableton to hear what I'm talking about.  It's exceptionally noticeable if you scrub around via the position slider.

I had this idea for a realtime granular device that would record using record~ @loop 1 into a buffer that's, say, a 1/16th note long.  And...

metallic-glitches-and-pops-when-trying-to-record-into-and-playback-the-same-buffer-at-the-same-time

oops please delete :)

Arsène Martinet

First time posting and been exploring Max For Live for a few weeks now.

There's something I don't understand and haven't found an answer in any documentation. Maybe I just missed it or maybe it's just due to a behavior of Live itself.

I am trying to remote, let's say for example a fader in Live using another Fader.

So to do it I have made the following path:

It basically monitors and remotes both Faders. Independently, everything works well. If I move the Fader 1, it monitors perfectly. If I move the Fader 2, it monitors perfectly as well. I have also added dials in the path to make sure the remote component works well for both faders, and it does. But when I link the two, when moving Fader 1 it doesn't apply to Fader 2.

My only clue is that I have either missed something, or that there is somekind of touch behavior in Live that prevent this from working.

Just in case I wasn't super clear on what my issue is, I'm linking a quick video of the issue.

Thanks for helping me understand the issue!

Hi all,

First time posting and been exploring Max For Live for a few weeks now.

There's something I don't understand and haven't found an...

remote-a-parameter-in-live-with-another-live-parameter

Remote a Parameter in Live with another Live Parameter.

hi, when i call 'set_or_delete_cue', it is always locked to ableton's current grid

, and i can manually use the set/del button in ableton to create many locators within grid segments just fine, but if i use the m4l function it always snaps to the current grid size.

hi, when i call 'set_or_delete_cue', it is always locked to ableton's current grid

i have global quantization turned off, and i can...

setordeletecue-snaps-to-grid-even-with-global-quantization-turned-off

set_or_delete_cue snaps to grid, even with global quantization turned off

spin lud

I have just found that Ableton beats counting is a bit weird.

I have a test project with 2 bars in 4/4, 2 bars in 6/8 and then again 4/4.

To debug what's going on the Ableton internal counter, at each tick I have logged bars/beats/sub_division/ticks, song time (expressed in beats, not in ms as reported by documentation) and time signature.

As you can notice, when time signature switch from 4/4 to 6/8 Ableton BEATS=5 (does not reset to BEATS=1), because Ableton computes bars/beats/sub_division/ticks reasoning as the current time signature is the same for the entire song. So when it switched to 6/8 Ableton does the computation as the whole song is in 6/8.

This is even more evident in the transition back from  6/8 to 4/4. You will notice that the BARS count decrease (from BARS=5 to BARS=4):

BARS=5 BEATS=4 SUB=2 TICKS=53 | TIME=13.966938775510204 | SIGNATURE=6/8

BARS=4 BEATS=3 SUB=1 TICKS=2 | TIME=14.006938775510203 | SIGNATURE=4/4

This is because when switching back to 4/4, Ableton consider the entire song in 4/4 and update the time values accordingly.

The issue is that I find impossible to detect the real (musical) downbeat when a time signature changes like this occur. For musical downbeat I mean the real first beat of a bar (the one we hear with a different sound when we activate the metronome). To do that we should know every possible signature change in the project, but we can't assume to start the project always from the beginning and detect all the signature changes along the way.

Has anyone managed to find a solution to this problem? I tried but failed miserably.

The only way I have found is to add a listener to a button on the controller to manually compute a beat offset when a beat misalignment occur due to time signature change and apply that offset to the beat reported by Ableton. Better than nothing 🤷‍♂️

I have just found that Ableton beats counting is a bit weird.

I have a test project with 2 bars in 4/4, 2 bars in 6/8 and then again...

help-needed-find-real-downbeat-in-case-of-signature-changes

Help needed: find real downbeat in case of signature changes

son yi jun

Are there any workarounds or patches planned to address this?

Hello,

I'm currently using Max 9.0.5 on Windows.

I encountered a critical issue:

When in Edit mode,

If I resize the patcher window or...

max-905-windows-crash-when-resizing-or-zooming-in-edit-mode-no-console-error

Max 9.0.5 Windows: Crash when resizing or zooming in Edit mode (no console error)

tyler mazaika

In this configuration I'm having problems with the locked_bgcolor attribute when set to a Dynamic color name ("Device Background").

Trouble is, it's only happening in .amxd that I froze/exported a while back, and which have worked correctly for more than a year.  

I've tried to reproduce the issue from scratch by mixing and matching devices exported from Max as old as 8.3.3, but I can't seem to cause the problem.

Pictures of the issue below.  Is anyone else able to reproduce something like this?

In this configuration I'm having problems with the locked_bgcolor attribute when set to a Dynamic color name ("Device Background").

Live...

max-86-live-color-theme-issues-lockedbgcolor-with-dynamic-color

Max 8.6 + Live color theme issues (locked_bgcolor with dynamic color)

Caligula Cuddles

Alright, this is an odd one and probably involves something simple I'm missing, but...

I've been working on some devices, and I've noticed that certain dials (With ☒ Initial Enable and a preset value defined) don't seem to send their value until I adjust them. Is there something I'm missing?

I have a similar issue with a umenu that selects an audio source, but until I click it, there's no audio. 

Alright, this is an odd one and probably involves something simple I'm missing, but...
I've been working on some devices, and I've noticed that certain dials (With ☒ Initial Enable and a preset value defined) don't seem to send their value until I adjust them. Is there something I'm missing?
I have a similar issue with a umenu that selects an audio source, but until I click it, there's no audio. 

What am I forgetting to do here?

Alright, this is an odd one and probably involves something simple I'm missing, but...
I've been working on some devices, and I've noticed t

m4l-device-not-working-properly-until-adjusting-parameters

M4L Device not working properly until adjusting parameters

Drum Stix

Today I tried the new Track.create_midi_clip function which is available as of 12.1.10. I noticed that after calling the function, the clip is created correctly, but the return ID (returned by live.object) is 0 instead of the ID of the clip that was created. I double checked with other similar functions like song.create_scene, clip_slot.create_clip etc. On these functions live.object returns the ID of the newly created item. See attached patch.

So Track.create_midi_clip doesn't. That sounds like a bug right? 

Is there an alternative way to find out which clip I just created?

Today I tried the new Track.create_midi_clip function which is available as of 12.1.10. I noticed that after calling the function, the clip...

trackcreatemidiclip-function-doesnt-return-correct-clip-id

Track.create_midi_clip function doesn't return correct clip ID

Simon East

I have a really odd issue that I have been trying to debug for a week now and I am getting nowhere with it - so maybe someone here has some ideas that might help.

Max For Live Forum