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Loris Bernot

In my patch (simplified to the maximum), I send a midi note, from Protools to Max. 

Midi play in protools > Max midi bus > Max software.

This midi note send a bang to a play object (a short sound like a metronome), this sound goes to a bus output (here dolby renderer), to go back to protools be recorded in it.

I'm around 100 samples latency for this loop., between midi note and audio recorded. I wonder if i can reduce latency with a magic trick  or does it seems normal to you ?

And second question, a bit weirder : each time I record, latency is not the same, sometime less 70-80 samples, to 120 samples approx. Seems random. Does it mean something.

Dolby driver should be stable. as it is made to sync to go forth and back between Protools and Dolby renderer...

I've tested with  "Protools bus 1-6", stil the same issue. 

Is there a way / good practice to sample accurate sync two softwares ? Both are in the same mac, so I thought I shouldn't have to sync them, but it creates doubts in me.

Many thanks for reading me,  if you have any thoughts or idea, I would be happy to have your feedback.

latency-between-max-and-pro-tools

Latency between Max and Pro tools

Kuroko

Hi, I'm currently writing a 4ch tape music.

My audio samples are mono, so I'm currently using groove and outputting them to 4 channels.

But as you know, this is just 4 same signals going in to 4 channels so the spatial image isn't really there. it still sounds like mono.

how do i make some lfo, or any modulating source that i could put on every signal to get something live, living modulating source..that modulates the delay, and slight pitch.

I want to just make some set of objects that modulates the delay, pitch in the range of some subtle value so i could slap that set of objects and forget about it.

 Basically I want every sound to be like a real orchestra.

In orchestra if the violin section plays the note A, because all violins are slightly tuned different and don't play at the same time because its impossible for human we get this rich sound.

I basically want to do that for my sounds. 

how-do-i-make-a-livinglfo

How do I make a living..lfo..?

matthew Munson

I am working with the Matrix Positioning Patch provided in the MAX documentation. The issue at hand is the "Move_Around" Subpatcher. I would like to set the "Source Dimensions" and "Destination Dimensions" so that pixilation is minimized.  Regarding the images fed into the patch, I am using the largest JPEGs possible. I have a basic understanding of how a range might be fed into the random object. Can someone assist with what values I might utilize?    

Hello all,

I am working with the Matrix Positioning Patch provided in the MAX documentation. The issue at hand is the "Move_Around"...

how-to-update-move-around-sub-patcher-values-to-minimize-pixilation

How to Update "Move Around" Sub Patcher Values to Minimize Pixilation

Eardrum Nibbler

I therefore enjoy experimenting with probability and random sequencers.

I mostly work in Ableton and try to create structured chaos there.

I saw an interview with Brian Eno on YouTube where he used an app to play 3 or 4 randomly selected files together from a folder of sound files.

These sound files were organized by the scale in which they were created, so that they matched musically when played together.

So, I would like to create something myself using Max MSP where I could execute the same principle as described above.

What are the functions of the Patch I want to create:

- These players share a common start and stop knob

- Each player is assigned to a file folder from which it randomly selects a sound file and starts playing it. - When a file finishes, the player randomly selects another sound file from the assigned folder and plays it.

- I would also like to see the name of the sound file that each player is currently playing, as well as the "filepath" where this file can be found.

- If a really nice combination of files were to arise while playing the random files, I would like a function where, with the press of a single button, the filename and "filepath" of the sound files currently playing are saved so that I can play them together again later or import them into a DAW to create a song.

I am fairly new to programming patches myself.

I have already discovered the "Sf Play" module, which I believe could be the appropriate sound file player.

The following problems/questions come to mind:

- How do I assign a folder containing sound files to the "sf play" module?

- How do I make it select a random file from the assigned folder and play it? -At the end of the file, how do I ensure that "Sf Play" immediately starts playing another random file from the folder?

-How can I ensure that I can always see the filepath of the file being played, as well as the file name?

-How can I save the current files with a single button press to play them again later? (Perhaps a list of these could be created?)

As you can see, a lot of questions/problems…

Who can or wants to help me further with this?

Once I am finished with the patch, I will gladly share it with the community!

random-sound-file-player

Random sound file players 

mkap7

I'm having trouble with something that used to work fine for me - saving a patcher as a text file. (Basic, I know.) The online documentation says to open a patcher, go to Save As in the file menu, and select the Max text format ( .mxt). But I do not see a Max text format among the choices. Any idea why not?

Hi folks,
I'm having trouble with something that used to work fine for me - saving a patcher as a text file. 

MaxMSP Forum